Multiple Enthusiasms

Infinite jest. Excellent fancy. Flashes of merriment.

Tag: Twilight

As Amazon takes on more roles and responsibilities in the book world, many wonder if that’s a great thing. I remember back when Amazon sold only books, before it was the retail powerhouse it has become, the online equivalent of big-box stores. Now, it’s refocused on books, first with Kindle and then with publishing-related endeavors, setting up imprints as it has become both retailer and publisher in some cases.

Lots of smaller, independent bookstores–by which one means bookstores that are privately held, and not part of a chain, which means anyone besides Barnes & Noble and Books-A-Million, basically–don’t like this. They see Amazon as they saw Barnes & Noble when it was first beginning. The big boy on the block who set up shop next door and ultimately drove them out of business.

As a reader, it saddens me. As guy with a business degree, it makes me wonder.

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There are lots of ways to share a book and, in doing so, improve as a writer. Not all those ways are created equal, and some work better than others.

I’m pretty sure there are various websites that basically serve as online writing workshops, and I’m nearly certain that part of Richard Nash’s Red Lemonade has some of that functionality, wherein writers post chapters and stories and the best rise to the top. I’ve participated in both writing groups and online writing workshops in the past, and they all share one thing in common: all are best with a smaller amount of material, and honestly most effective for short stories.

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The other day I mentioned you have to decide for yourself what “good enough” means to you. I want to elaborate.

I opened this “Add New Post” page with the intention of noting that I don’t mean it’s okay to be mediocre.

But then I got to thinking, “What’s mediocre?” Just like we wonder “What’s ‘good enough’?”

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Recently, a friend of mine, Nina Perez, who maintains Blog It Out B, decided to bite the bullet and publish her new novel without the backing of a major corporation or the “advocacy” of a literary agent. This coming Friday, her novel, The Twin Prophecies: Rebirth will launch, and I for one am looking forward to it. She’s been working with a guy named Steven Novak on design and illustration, as well as concentrating on formatting and lay-out.

Launching a novel, especially independently, is an anxiety-filled endeavor. Every author faces the stomach-churn that comes with the launch of a novel, but I’d stake a claim that anxiety is doubled for an independent author, who not only faces the daunting challenge of both reaching new readers and hoping those readers don’t respond negatively, but also faces the general negativity of the publishing industry–including literary agents and editors associated with corporate publishers–as a whole.

As Nina has been prepping her novel for publication, we–we being myself and several of her other friends–have been discussing writing and publishing. We’re a diverse group of writers still emerging, still building, still working, still aspiring. We don’t have contracts with big corporations. A couple of us don’t have books out. But we write, and that’s what counts.

And given that we write, and given that we’ve been discussing writing and publishing, lately, we’ve been discussing Amanda Hocking. How can an aspiring writer not, nevermind to what said writer aspires to. Regardless of whether a writer wants millions of dollars or millions of readers, Hocking seems exemplary of a case study of success.

Except.

(There’s always an “except,” isn’t there?)

Now, I’m going to break from discussion, because I’ll not put words in other writers’ mouths. But I’ve noticed Hocking, and her work, and her story, and I’ve gotten a couple samples of her work, and I’ve got to be honest: I don’t get it.

Then again, I didn’t get Twilight, either.

Still, a million teenage girls (and their moms) and the millions of dollars they spent can’t be wrong.

Or can they?

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This week, two publishing deals made big news, each for very different reasons.

Early this week, in an interview with Joe Konrath, Barry Eisler revealed he’d declined a six-figure deal from a major publisher. Instead, he will publish his books independently, on Kindle.

On the other end of the spectrum, Amanda Hocking scored a seven-figure deal with Saint Martin’s Press. Hocking made a well-recognized name for herself by publishing low-priced Kindle-exclusive novellas and novels. Recently, she’s mostly known for having sold more than one hundred thousand books in January, which isn’t surprising given that she published eleven books since, like, April of last year.

I’m sure many of them were in a trunk somewhere, and she didn’t write them all in eight months.

Actually, considering their quality, I’m not sure of that.

This particular pair of writers has created a total binary in terms of discussion with regard to so-called “self-publishing.” It’s an easy black and white to paint.

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Just read a post by Jane over at dearauthor.com: “Books as a Business”. It’s a mostly good article with some interesting analysis, though I would change the title, at least; books are what we read, while publishing is a business.

Which aligns with my previous couple of posts, staying on the theme of writing as creative endeavor and publishing as business endeavor. The other day, I was chided on Twitter by dietpopstar for using the word “monetizing” with regard to writing, and who told me I’d “lost my way” as I’m supposed to be “a fucking artist,” and such considerations were “vulgar.” She’s arguably right about my using the word “monetize,” I admit; I probably should have chosen a different word or phrase, like maybe “I gotsta get myself paid, too, yo.” Which, at least, is funnier.

And that’s the trouble with blogging. Not the funnier part. The part about having to get paid.

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