Multiple Enthusiasms

Infinite jest. Excellent fancy. Flashes of merriment.

Tag: The Nervous Breakdown

The other day, I mentioned a positive review from Shannon Yarbrough at the LL Book Review. Today, I’m going to mention a few others, and make an announcement about something I’m rather excited about.

Today, Raych at Books I Done Read gave it high-caterpillar review. A juicy blurb:

Silly and poignant and real … totally hilarious … basic love story meets girl Tarot card battle royale

Now, Raych disclaims: if you’ve finished Meets Girl, you know that Raych gets a shout-out at the conclusion. Some people might fear some lack of objectivity.

I don’t. I started reading Raych’s blog pretty much as soon as she started it, and I love what a fool she is, and by fool, I mean the n’uncle sort, who says perhaps many nonsensical things and who maybe distracts you with the bouncy jingle balls on his hat but is, often, the wisest person in the room. The canniest. The one who knows what’s what.

I felt the same thing about Veronica’s brother Tom, in the novel. I could see his band–Foolish–doing something silly and poignant and real. Some of what I think are exactly those moments in the novel–the ones that are silly and poignant and real–belong to Tom. When Tom handed our young hero-narrator Foolish’s CD, I saw him offering one with a jaunty, silly, hand-crayoned cover because leave it to the wise-fool to leave the name of the band off.

So it fit, and when I needed a title for that album, I cribbed Raych’s blog.

She doesn’t seem to have minded. Thank goodness. I’m glad she didn’t sue my ass. For cookies. Because who’d sue a broke-ass grad student/novelist/professor/personal trainer for money?

I do wonder about objectivity. Not Raych’s. Just in general. Like, is anyone objective anymore?

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Last week, I found out about Galleycat’s Book Pitch Party about an hour before its deadline. I like Galleycat; I haven’t been able to keep up with it as much, lately, but when I can, I’m not sure there’s a more valuable resource for publishing.

The Pitch Party, the contest post announced, was held in the W Union Square’s Underbar, which is one of the swanky-hip sorts of rooms Manhattan is famous for. Reminded me a lot, in fact, of the Happy Ending Lounge, on Broome Street, which is where I read for The Nervous Breakdown.

We can argue the real validity of writers reading in a bar. Most, unfortunately, can’t. It’s not writers’ fault; writing is held as a solitary sort of profession, and even I get nervous enough my stage presence isn’t yet where I’d like it to be. Probably takes a lot more practice than I have, even though I stand before classrooms all the time. There’s something, too, about reading in a dim lounge; there are always clinks and murmurs, and it’s obvious in a way it never is when a band’s on.

When I heard it was in New York, and it was for pitches, I had to submit. So I went through my email and basically lifted my usual query for The Prodigal Hour and sent it in.

The following day, I was congratulated to be a finalist. I was going to pitch!

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It’s over here.

It helps explain why I went quiet for so many months, and stopped posting here altogether.