Multiple Enthusiasms

Infinite jest. Excellent fancy. Flashes of merriment.

Tag: star wars

I often note that I realized I was a writer after I finished Stephen King’s Needful Things, and while that’s not untrue, it neglects all the other elements and stories and media that played a role and influenced me as a storyteller. Stuff like Where the Wild Things Are and The Hardy Boys. Don’t forget Star Wars and The Empire Strikes Back and Quantum Leap, and that’s not even mentioning Infocom games.

And that’s what Ernest Cline’s Ready Player One is all about, and it’s brilliant.

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I know I got very wrapped up in the election and discussing it. I hadn’t meant to. I hadn’t meant to avoid it, exactly, but I hadn’t realized I would become so focused on it. I think I got so wrapped up in it because McCain/Palin scared me so much, and because I thought there was so much at stake.

A lot of it was wrapped up in my feelings about September 11th. I realized that before, but watching Obama’s acceptance speech drove it home. I’m only 30 and ain’t been alive long, arguably, and missed some major cultural milestones. I may be mistaken, but I don’t think any man has walked on the moon so long as I have been alive. The sixties are full of a lot of cultural imagery that will only ever be grainy footage to me; JFK and RFK and MLK. I came in at the tail end of the seventies, and missed free love and freer sex. While I enjoy the Beatles music in some ways, I still don’t see what the big fuss was about, and by the time I came around, Elvis was gone, too. I enjoy few movies made before 1980, Star Wars being the most notable example.

Still, the other night, watching Obama accept the presidency, I thought of what I have seen. I saw a black man become president of the United States, and while I know that racism is in many ways still alive and perhaps too healthy in America, I think it’s the surest sign there’s hope.

I remember this, too:

Which was in 1987. Two years later, in August 1989, 28 years and one day after it was constructed, that wall came down:

I think a lot of us had that feeling first thing Wednesday morning, just after midnight.

The end of one era, and the beginning of a new one.

(I’ve just realized, too, that 28 years and three days after I was born, I left for USC. That’s kinda neat)

Because the other momentous thing I’ve seen during my lifetime is something that too often hurts too badly to talk about too much. A few weeks ago, I caught the premier for Life on Mars, a show by which I was singularly unimpressed save for a single moment:

I often feel like that day started a time of corruption and incompetence carried through 7 long years. Seven years during which America lost internationally most of what reputation it had, invaded countries it had no right to attack, ‘defending freedoms’ it had already taken away anyway.

I don’t know what Obama will do, nor what he will change. I don’t know that he will be a good president. But I think he has both dignity and integrity, two things the office of the presidency have been sorely lacking for a long, long time (and not just during this past administration. I like Clinton, but dignity and integrity are not words that come to mind when he does), and I feel comfortable enough with the next four years (at least) in his hands.

I don’t think much will change for a while; Rome wasn’t built in a day, and the Berlin Wall didn’t fall the day after Mr. Reagan challenged Mr. Gorbachev. Then again, September 12th, 2001 saw the sun rise on a world completely changed from the one that had existed just 24 hours before, so who knows?

I don’t. But here’s the thing:

While I don’t remember much about the morning of September 11th up to, say, 8:50 or so, it is because that day at that point in my life was unremarkable, which means it was a good morning. It was a morning on which I woke up a little later than I wanted, brushed my teeth, walked a block up to the PATH station at Journal Square. It was a morning I walked from Herald Square at 34th and 7th to my office at 40th and Madison, and if I don’t remember anything out of the ordinary during that several block trek, I will claim it was a good one, because those walks were, back then. They weren’t all sunshine and roses, of course (not many rosebushes on the streets of Manhattan), but after that morning, those walks were different, and they disappeared all together several weeks later.

I cried when I watched Obama’s acceptance speech, just like I cried when Hillary Clinton spoke at the DNC. I cried when I watched McCain concede. Not because I was so happy, though there was that, but because I was feeling something with which I had been unfamiliar for so long. I watched the polls and results with hope but also with caution, and even posted over at Making Light that I would believe it only when he took the oath of office.

Because the thing is, when you’re so scared, when you feel so beaten down, when you get so wound up and anxious, if you feel that way long enough, it can be hard to give it up. Watching Obama speak, I started to give it up. I started to let the sun shine in again. I started to feel myself open again, and that’s something I haven’t felt in a long, long time. Watching Obama speak, I started to realize that things might not always be so dark as I felt they were.

Then again, I also know that I may well be projecting my personal feelings onto those of the country as a whole. I took this election more personally than I took the one in 2004 because I’ve changed in the years since. In 2004, I was working as an assistant editor and living in my parents’ basement; this just a couple of years after I had graduated college with all the promise in the world and gotten a great gig at a prestigious advertising agency. In a way, I think I felt I was going backward if I ever felt much at all, because I know at times I was going just to go, doing just to do, coasting through to get by. This year was personal because I don’t feel that way. I’m working and living and doing. I’ve stopped waiting around for life to happen and started to make things happen, and I think I projected some of that feeling onto the election. I think I felt as though, since I was changing, the world should, too, somehow, in however small or large a way.

I think, too, I felt ready.

I don’t know what the future will hold. I don’t know what tomorrow will be.

But just the hope of it makes me smile at the possibility.

For now, that is something. For now, it is enough.

My full memory of the following story is somewhat fuzzy, as is where I first heard it, but the cotent is what counts and has to do with Indiana Jones and the Kingdom of the Crystal Skull (hereafter: IJ4), which is what I wanted to mention. I’ve read several people lament the direction the series has taken (and from what I’ve read about the movie, I tend to agree), but I’ve also read about a direction it didn’t take. That latter is cited with sighs of relief that “It could have been worse,” but still I wonder.

So, the story: I think it was in On Writing–I’m fairly certain it’s Stephen King’s memory of the moment he was sitting in a movie theater, enjoying the serials before the actual flick, when the house lights came on and the theater manager’s voice crackled over the loudspeaker to announce that the Soviets had launched Sputnik, the first man-made object to orbit the Earth. This was in 1957, after the spectacular failure of a couple of American attempts, and, obviously, a full eleven years before the US managed to get a man on the moon. This in addition came during one of the worst periods of Communist fear in American history (McCarthyism began in 1950, when Joseph McCarthy began his investigations etc.).

I bring this up because both Spielberg and Lucas often cite those serials as the foundation for Indiana Jones. Raiders of the Lost Ark began the franchise in 1981, and became, at first blush, pretty much one of the most commercially successful movies of all time. Its reception was better than I would have given it credit for: for a blockbuster, it was critically received well, and was nominated for a go-jillion awards, to match the go-jillions of dollars it made. Lucas and Spielberg based the story on those old serials, which both had watched when they were children.

And the trilogy did well. IJ2 and IJ3 both continued the tradition of the first, though Temple of Doom is kinda the oddball, darker in tone and scope. The Last Crusade featured Indy’s dad, not to mention: Hitler. The Nazis were the villains throughout those three. There was the face-melting tornado in Raiders, which mostly just affected the Nazis, and who can forget when Indy punched the Nazi on the zeppelin in Crusade.

And now IJ4. I have no inclination to see it; I learned my lesson from the Star Wars prequels, thanks much, and to quote ole’ Dubya, “fool me once, shame on… fool me twice… you can’t fool me again.” The reviews I’ve read have been mostly mixed, and the spoiler material has seemed to hit the two cardinal sins of entertainment: both dumb and boring.

But I’ve also read that Lucas had a different idea for the next installment: Indiana Jones and the Saucer Men from Mars, and I wonder if that wouldn’t have been the better direction. Those serials often went from action and Nazis in the forties to suspense and science fiction and Commies in the fifties, didn’t they? By the 50s, we obviously had our eyes to the heavens–we were in a space race, after all, which was why Sputnik came as such a kick in the can. The Day the Earth Stood Still came in 1951.

My point is, it’s obvious the tide was turning, and being that Indy is of that era, the best way to continue the franchise might have been to turn him, too, to his next logical storypoint: out of archaeology and Nazis and into space and Commies. Sure, it’s not really consistent with the character from before, but this movie seems more of a transition, anyway (if Indy doesn’t hand his fedora to Shia by the end of IJ4, I’d be surprised); Indiana Jones and the Saucer Men from Mars could have represented the 50s, when we were petrified with the Red Scare (and where better for the red scare to originate from than the red planet?); from what I’ve read, IJ4 is set in the fifties, anyway. And plus, it could have made a parallel between the red scare and the current political climate (PATRIOT act, al qaeda, terrorists, et al.; was it Twain who said that history doesn’t repeat itself, but it sure does echo?).

Indy’s world has always been exaggerated, from boulders and idols to madman ripping hearts out and 500-year-old knights of the Holy Grail. It’s always been a caricature, the ideal representation of its world, and really, the best way for it to continue is to follow its own lead by continuing to caricature its world (and not in a bad way; Indy’s always been a caricature, mostly, which is why you can recognize him by his hat alone).

Of course, I’ll be the first to admit that going in that direction could have sucked. But, then, from what I’ve read of the latest installment, it ain’t all that great, and shit, if it’s gonna be bad, it might as well go for broke, no? If you’re going to jump the shark, why not use a jetpack?