Multiple Enthusiasms

Infinite jest. Excellent fancy. Flashes of merriment.

Tag: Roger Clyne and the Peacemakers

What a difficult list to compile. Especially since, glancing down at my iTunes running, there are 33,773 songs in my library. According to iTunes, it will take me more than 100 days of continuous listening (with no sleep, now I realize) to listen to them all. It’s rather extensive, and it’s the sort of collection that makes my taste in music suspect at best, beginning as it does with A-Ha (because any collection without “Take On Me” is incomplete) and ending (before it reaches songs without proper ID3 tags and lumps them all) with “Skin Up Pin Up” by 808 State/Mansun from Spawn: The Album (iTunes is the first organization system I’ve seen that puts numbers after letters, rather than before; if it did, the first songs would be by 1 Giant Leap or 12 Rounds). In between those few, there’s everything from Rick Astley, Belinda Carlisle, and Bon Jovi to all of Clapton, the Beatles, and Sinatra.

So it’s pretty expansive.

But expansive as it is, I tend to stick to some favorites. Lately it’s been a lot of Wolfmother (and Jet; what is it about Australia that inspires such great rock music from its bands?), Vanessa Mae, and, as always, Roger Clyne and the Peacemakers. Also, Adam Lambert and Matt Wertz.

So there’s a lot. But I winnowed. I winnowed after I kept reading other lists that fawned over, like, Radiohead and such. I mean, has Radiohead ever managed to be as good as Pablo, Honey? They’re like Pearl Jam and Matchbox Twenty, with fantastic debut CDs but output that has gotten subsequently less terrific with each title. For me, anyway. Your listening may vary. Also, dear Rolling Stone: The Strokes and Wilco in number 2 and number 3 spots, respectively. No offense, but seriously? No wonder people debate the continued relevance of the magazine. I mean, how safe.

Why not stretch a bit? Why not reach for some choices few people would expect? Then again, this from a guy who doesn’t really enjoy any of those three bands. I know lots of reviewers fell over themselves to heap a lot of praise on Yankee Hotel Foxtrot, but there wasn’t a single song on it that made me want to listen to the CD again. I get the impression it’s all just, like, hey, everyone else likes it, so we should, too, but to cite one of the artists who earned a spot on my list by way of a great CD, “You don’t know what love is, you just do as you’re told.”

So, suspect taste noted, shall we? My top ten albums of the last ten years, in order:

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Earlier today, I got an e-mail from Cheryl Anne Gardner of POD People. I queried their site a while ago in the hope that they might review Entrekin. I figured they were just so backed up with books and reviews that they hadn’t had the chance to respond, which I understood; authors, self-published or otherwise, always hope for reviews of their books and so always query reviewers to do so, and I’d wager a book reviewers pile of books to read is similar in size, scope, range, and even quality, to editors’ and agents’ slushpiles. But the good news is that Gardner wrote me to let me know that she was going to review it probably shortly.

Which I’m just thrilled by.

So look for that soon.

I bring it up, though, because part of the reason Cheryl wrote was what occurred on the occassion of my first ever review. It was at the PODler (you can find a link in the archives here. Sorry, but I’d rather not link there myself; it only just fell from number 1 Google result, and I’d rather not put it back up there), and it was the sort of excellent for which a word like “glowing” is an understatement (“This is the writing of bestsellers.” So rad), and it was a thrillingly and overwhelmingly positive experience until a handful of anonymous commenters showed up to attack me.

Not my writing. Not my book. Me.

The most prevalent was the one I mentioned yesterday: “I won’t argue that Entrekin is a great writer,” which then went on to comment that I was “full of” myself.

I mentioned it yesterday and that I was happy it no longer came up as the first Google hit because can you just imagine an agent being intrigued by my query enough to hit Google only to find that as the first hit? I’d wager their first thought would be that I’m some prima donna author who thinks I’m the heir apparent to Stephen King and Jo Rowling and will become resentful when others don’t bow before my literary genius.

To which I say, in my best Wayne impression, shyaah!, not to mention: not!

Because seriously. I mean, what do you say to that? “Quite frankly, I resent the implication that I am full of myself. In fact, I am half-empty of myself, because I am a pessimist, and to fill the rest I seek meaningless sex, excessive alcohol, and the adoration of a whole bunch of people whom I will probably never meet except via the Internet (unless they come to an author signing).”

It’s kind of like being called defensive; if you defend yourself . . .

It’s probably silly to worry about, but I’ll admit it: I’m now past thirty and still worry about what other people think of me. I keep hoping that I’ll outgrow it someday, but someday continues to elude me so far.

But here’s the thing about one being full of one’s self:

I once heard that the difference between Eastern philosophy and Western religion is that the Western mode seeks external validation: from God, from the church, salvation through Christ, etc., whereas Eastern philosophy looks, instead, inward–toward the self. Toward the soul.

And that appeals to me. Which leads me to wonder if, according to Eastern philosophies, being full of one’s self isn’t a good thing? Or, at least, a goal to pursue?

I don’t know either way, but I’ll be personal for a moment, in a way I’m not usually, to tell you a story.

I went to a Jesuit college where I studied, among other subjects, theology (that my professor was a Jesuit priest trained as a Zen roshi might be why Eastern philosophy appeals so much to me). During that time, I became comfortable in my role on campus, in my role as a student, and then again in my role in commercial production. I won’t say I thought I had things pretty well figured out, and I read now the words I wrote then and I inwardly cringe, but, in a way, I felt somewhat full, I think. I was, largely, satisfied with my life.

And then September 11th. Which, I think, both emptied me out and made the vessel with which I was working larger (which, in turn, made it more difficult to fill). Suddenly, what had made sense before no longer did, and four years passed before I could really claim happiness again. Four years passed before I can really claim I felt full again. Satisfied.

And I remember the moment it changed again, when I realized I wanted to go to graduate school. It didn’t empty again, just made my vessel grow again, and so I drove across the country to Los Angeles, and I studied writing, and I began, again, to fill it. My vessel hadn’t grown so much as to require much fill, and then I published my book, and that helped it grow yet again.

And so I feel like the past few years have been a constant challenge of a growing vessel which I seek again and again to fill with my self. Each time my vessel grows, I seek new experiences, or new ways of seeing old ones, so that I can grow and fill it again.

It’s a challenge I have to admit I enjoy.

Full of myself? Sometimes, maybe. Perhaps. But when I’m really lucky there’s a little more room in the vessel yet to be filled, and the challenge of looking inward to do so is simultaneously one of the most difficult and most rewarding.

“I awake from a long, deep sleep
In a leaky little boat on a wide blue sea
I spy no islane, rock or shore
And the sea, she’s a-comin’ to me through a hole in the floor

And the tide come in and the tide go out
And the waves they came toss my little boat about
And the sky turn black and the sky turn blue
I got no pail, no sail, no anchor, too
Just a leaky little boat

And as I wake I look around
I have no notion where I’m bound
So many different colored boats I see
Are all leaky, lonely, and driftin’
Just like me

And the tide come in and the tide go out…

I spy no island rock or shore
And the sea keeps a-comin’ to me through a hole in the floor
Of my leaky little boat

Alone, adrift together are we
Slowly sinkin’ in a deep blue sea
But we smile and we wave
And we say, “I’m afraid…and I love you…and here we go…”
Roger Clyne and the Peacemakers, “Leaky Little Boat”

(update: edited to paraphrase the anonymous quote in question, for Google-rific reasons)

A new Roger Clyne & the Peacemakers CD is reason enough to write, and would make this post good enough, but good enough is simply not awesome, is it?

I’ve been a huge fan of Clyne since 1995, and the Refreshments; Fizzy, Fuzzy, Big, & Buzzy was the first CD I ever owned I loved beginning to end. I played the shit out of that bad boy. Over and over. I passed up a chance to see the Refreshments in New York, once, and they subsequently broke up. Clyne reformed a band not long afterward with a few members of other bands from the Tempe music scene, and Roger Clyne & the Peacemakers released Honky Tonk Union.

RC&tPM are the most successful independent band in the country, from what I’ve read. I think they deserve it; I love pretty much everything I hear from them. Not everything, mind you; I think it’s rare to find an artist whose entire output one loves, but they come pretty close. Clyne reminds me equally of Bob Dylan, Willie Nelson, and Bruce Springsteen, but to my mind surpasses all three with a unique vision of the southwest, peace, love, and rock ‘n roll. This new one, Turbo Ocho, is really good; not as awesome as !Americano!, but certainly among their best (though really, which isn’t?).

I’ve also just received the new Arsenal CD, Outsides, their follow up to Oyebo Soul (the latter of which apparently most accurately translates to “White Boy Soul,” which, being a white boy, I find amusing). They’re a bit of a fusion band; as nearly as I can figure, the members of the band are from El Salvador, Puerto Rico, and Boston, or somesuch; really, they’re a terrific mixture of some very different styles. They’re a bit electronica, but a little lounge-y, with some rock thrown in for a sexy groove. I dig them lots.

And finally, Steve Acho. I found Steve by accident; I’d been searching on iTunes for different versions of Leonard Cohen’s “Hallelujah” (the greatest lyrics in the history of music? Discuss), and his covers CDs came up. I like his style and delivery; I’ve seen comparisons to Elton John and Billy Joel, but I think they’re superficial at best–just because he’s a dude with a piano doesn’t make him comparable. He lacks the ostentation of the former, certainly, and seems more passionate than the latter.

So what’re you listening to?