Multiple Enthusiasms

Infinite jest. Excellent fancy. Flashes of merriment.

Tag: medicine

When I was 18 years old, I declared my college major even before I’d set foot in the first class. A lot of students hold off–and I knew many of my friends were–but at the time, there was only one thing I wanted to do with my life:

Be a doctor.

Looking back, I don’t know where the inspiration came from. I used to attribute it to having watched my grandfather lose a battle with prostate cancer when I was four years old, but I’m not so sure. It certainly sounds like a good story though, doesn’t it? Maybe even then I was telling them.

“Be a doctor” was what I told everyone I wanted to be when I grew up. Maybe I thought the question was more than just a thought experiment, and becoming a doctor was less about luck than, say, become a ball player or a firefighter–or even a writer. Becoming a doctor is one of those rare professions wherein you put in the time, dedication, and effort, and you emerge as what you set out to be. There’s no guarantee taking acting classes will make you a movie star (perhaps far from it); there’s no guarantee excelling on the college field is going to get you to the big leagues; there’s no guarantee that going to one of the most prestigious universities in the world to study the craft of writing is going to get you a publication contract with a giant conglomerate (trust me on that one).

But you go to college to study some science or other–often biology, which usually also requires semesters of chemistry (both general and organic), physics, and basic anatomy and physiology–and then you take the MCATs and go to medical school, and four years after that, you’ll be a doctor.

Well. A resident. Or a doctor. To be honest, I’m not sure how it all works. I never got that far.

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I thought that since I had already written about Doctor Who and Supernatural, I really should devote some screentime to my favorite show, House, M.D..

Especially since I’m so worried about it.

I don’t quite remember when I became a fan of House, but I certainly remember how: my best friend in my writing program at some point, told me I needed to watch it and lent me the first season on DVD. I don’t remember why, nor how it came up, but man, it hooked me right away.

Some background: I was, during college, premed. I got right up to the MCATs before I realized I’m not a doctor, and by then it was late enough that I ended up graduating with a secondary major in science. My primary major was literature, and I did my thesis on the connection between medicine and writing as embodied in the work of Arthur Conan Doyle and William Carlos Williams. Looking back, I think what ultimately made me give it up was realizing that I really couldn’t handle that responsibility. It’s not the blood or the guts or anything; it’s the fear of making a mistake the cost of which would be a life.

I was skeptical when my friend lent me that DVD, but then I started watching the show, and I found I very quickly couldn’t stop. I’d say I’m not sure there’s a better show on television because I’d have a very limited sample set (I haven’t really owned a television in several years), but I know I just kept going, straight on through. I watched the entire first season in a weekend, and then watched most of the second over my first USC winter break, my first Christmas and New Year’s on my own and in LA.

And I loved it.

For anyone not watching; House is less a show about medicine than it is about diagnostics, problem solving, and detective work, and House himself has less in common with, say, Doug Ross (or choose a favorite doctor character) than he has with Doyle’s Sherlock Holmes. One can pretty much pick up the series with any episode; most are completely self-contained, and all focus primarily on a single case. With nearly perfect three-act structure in every episode. Plus, House is acerbic, sarcastic, and brilliantly curmudgeonly.

But after last season, I’ve been wondering if he hasn’t limped over the shark.

The first three were mostly terrific, and the third ended on a bit of a cliff-hanger in which he lost his entire team (Omar Epps, Jesse Spencer, and uber-hot Jennifer Morrison). It was set up well enough to be a dramatic development, and season three began first with House on his own, until his boss forces him to hire a new team. In typical House fashion, he basically has a marathon interview with, like, forty applicants. The third season pretty much became survivor in a hospital with House as Jeff Probst, with several odd-ish complications along the way.

I started to notice it most when House used a hunting knife and a wall socket to electrocute himself. I’m not sure how he did it, though; my father is an electrician, and so far as I know (do not try on your own), one needs at least two such implements, one in each slot of a socket, to complete the circuit and get a shock. How he managed to kill himself with just the knife is anyone’s guess (though, I guess, being House, he probably accounted for it), but moreso it took the character to a weird extreme. House is a Vicodin addict, certainly often a prick, and by most accounts self-destructive in some ways, but destructive enough to set aside survival instinct to see if there’s a light at the end of the tunnel? It felt very much against character.

I can really only hope that the issues that occurred midway through the season did so for the same reasons that I speculate occurred with Supernatural; that writers’ strike messed up productions several ways to Sunday, and about the only show I’d guess it didn’t affect would have been The Bachelorette and its “reality”-based ilk.

The season ended with the death of a character too prevalent and well developed, over the season, to really be called minor but not really exactly major, either. It seemed to come a bit out of left field, but it did complicate various relationships in the show in a lot of ways.

With a few weeks left before the new season starts, I hope they’ve gotten their act together and pull it off well. I’m interested to see where it goes. The friction between House and Wilson (played by Robert Sean Leonard– Swing Heil!) could be insanely tense, and Laurie and Leonard are two actors I’d love to see holding nothing back while going for each other’s throats. They have as dramatic and amazing a chemistry as Laurie ever had with Fry (and if you haven’t seen A Bit of Fry and Laurie, you must).

I’m also wondering if they’ll ever demonstrate just what Taub actually brings to anything, because so far, I’m not totally clear on his use in the show, and why he’s there.

I’m also hoping to see more of Jennifer Morrison. But that’s kind of an obvious request, probably.

(this entry cross-posted to MightyGodKing.com.)

I was eleven years old when I read Stephen King’s Needful Things and realized I loved stories and wanted to tell them myself. That King’s work prompted the realization and that my parents were both pretty avid readers while I was growing up were probably the two reasons I actually thought writing was a pretty certainly viable career option, or could be. One of the stories in my collection is called “Deluded,” and part of the point of that story, at least to me (and I’m only one reader of it, so consider this one personal take) is that there is, sometimes, a fine line between faith and delusion. Delusion and certainty. And that’s okay; I grew up with the firm belief that I was going to become a great writer through careful work and a lot of discipline, and could achieve success by way of the sheer force of my will to write better. Not better than anyone else so much as better than I realized I could, every word down.

For many years growing up, however, I also thought I wanted to be a doctor. I studied hard and started college with a major in premedical biology. In my high school yearbook, my life’s goals were: “go to med school, be a doctor, write a book.” I remember telling my parents I would start a practice and then, at some point, when my book became a bestseller, take a few-years sabbatical to concentrate on writing.

I didn’t realize it at the time, but I think that idea of a sabbatical was key; I think I was subconsciously realizing that I wanted the safety to support the more risky profession.

By the time I was a junior, however, I’d realized I’m not a doctor, and that’s still the way I think of it. Because, you see, I don’t believe that training and education make someone a doctor; one of my best friends is a doctor (and a successful one, at that), and I think he was a doctor when we were undergrads and roommates. He had to learn the anatomy and the surgery and the general stuff, certainly, but I think ‘doctor’ was part of his core to start. Me, I don’t have the confidence, I realized. I don’t have the self-certainty to stick my fingers into someone’s body, nor even to cut it open in the first place. I realized this the month before I was to sign up for my MCATs, but am glad I did.

What that meant was, after college, I floundered a bit. I graduated with (nearly) two degrees (six credits shy of a second in natural science) and honors and etc., but I hadn’t sold my book. So I needed a job. I fell into temping pretty much by accident and lucked into commercial production via a cushy gig on Madison Avenue. But it didn’t suit me as medicine hadn’t; advertising didn’t resonate with me, and I have trouble doing things I don’t believe in or can’t stand behind.

September 11th kicked me in the pants to figure stuff out. I thought I would by moving back home, regrouping, maybe subbing and then becoming a high school teacher, so I could write in my off time. I got set back, however, and fell into a six-month depression from which I emerged with shoddy credit and little in the way of real prospects. I became a personal trainer for a while, and then finally got into subbing, which was fine for what it was, but I’ve never been about fine with what things are. I remember being at a shitty Christmas party thing, though, and I remember thinking how much more fun it would be if the company throwing it had actually produced a book instead (they sold security systems, from what I recall of it).

So I got it in my head to work for a publisher. I considered moving back to Manhattan, but then found a gig five minutes from my parents’ house, where I was living, as an assistant editor for a healthcare publishing company. Felt like a perfect fit.

It wasn’t. I was there nearly three years, but never loved it. I discovered I couldn’t put my heart into it, and my performance suffered.

That was when I settled on graduate school, which opened my life. Moreso: teaching.

I became an instructor via USC’s Writing Program, and the most important thing I’ve learned is that I don’t have to just be a writer anymore. I don’t have to try to rely on it for income; I can be a student, and an instructor, because I love to be both. It’s been a real relief, and oddly, it’s freed me to become a better writer than I realized I could be; this latest draft of my novel finally feels like the one, and I think it feels that way because I stopped worrying so fucking much about selling it or succeeding with it and just concentrated on telling that story as best I could.

Being a writer is probably a good gig, but I’m having much more fun just being someone who writes.