Multiple Enthusiasms

Infinite jest. Excellent fancy. Flashes of merriment.

Tag: leonard cohen

I was poking around today and discovered this list, published by Paste magazine, naming their choices for the 100 greatest living songwriters. Of course, most such lists (1000 Gr8ist Novvuls uv al TIM!!!111!!!) are exercises in futility, but still it’s human nature to quibble, isn’t it?

It’s not really that eclectic a list, but, then, Paste focuses mainly on independent “artists.” Even though most of the musicians they cover have major label record deals (I am, in fact, not entirely sure any of the songwriters they mention are truly independent). But that’s a side-issue.

Here’s their top ten:
10. Prince
9. Joni Mitchell
8. Elvis Costello
7. Brian Wilson (The Beach Boys)
6. Leonard Cohen
5. Paul McCartney (The Beatles, Wings)
4. Tom Waits & Kathleen Brennan
3. Bruce Springsteen
2. Neil Young (Buffalo Sprinfield, Crosby, Stills, Nash & Young)
1. Bob Dylan

Not really all that inspiring, you ask me. Seems a bit safe, to me. Nobody on there who really makes you say, “really?”

But still I think they’re ignoring a lot of great artists on the list as a whole. For example, I think my personal top ten greatest living songwriters would be:

1. Roger Clyne
2. Springsteen
3. Paul McCartney
4. Axl Rose
5. Leonard Cohen
6. Tori Amos
7. Bon Jovi
8. Billy Joel
9. Tom Petty
10. Kevin Griffin (Better Than Ezra)

Also on my list would be Dave Matthews, Marshall Mathers (Eminem), Ben Lee, Jack White, Dr. Dre, Joni Mitchell, and Lili Haydn.

I mean, don’t get me wrong; I get most of Paste‘s choices. But Bob Dylan as number one? Really?

That’s a big “meh.”

But as always, I’m looking for recommendations, so who would your choices be?

Today’s post in honor of both Sunday and National Poetry Month.

Tim Minchin, performing Leonard Cohen’s “Hallelujah” with Terry (Jerry?) Quinn:

And yes, it’s definitely poetry, because for those five minutes, Minchin and his partner made that small bar a church.

(for the record, Minchin was correct that Rufus Wainwright performed the song for the Shrek soundtrack; John Cale has covered it, though, as well–his appears on the Scrubs soundtrack)

Update, 5/20: thanks to Georgie, who notes Minchin’s duet partner as Geraldine Quinn.

A new Roger Clyne & the Peacemakers CD is reason enough to write, and would make this post good enough, but good enough is simply not awesome, is it?

I’ve been a huge fan of Clyne since 1995, and the Refreshments; Fizzy, Fuzzy, Big, & Buzzy was the first CD I ever owned I loved beginning to end. I played the shit out of that bad boy. Over and over. I passed up a chance to see the Refreshments in New York, once, and they subsequently broke up. Clyne reformed a band not long afterward with a few members of other bands from the Tempe music scene, and Roger Clyne & the Peacemakers released Honky Tonk Union.

RC&tPM are the most successful independent band in the country, from what I’ve read. I think they deserve it; I love pretty much everything I hear from them. Not everything, mind you; I think it’s rare to find an artist whose entire output one loves, but they come pretty close. Clyne reminds me equally of Bob Dylan, Willie Nelson, and Bruce Springsteen, but to my mind surpasses all three with a unique vision of the southwest, peace, love, and rock ‘n roll. This new one, Turbo Ocho, is really good; not as awesome as !Americano!, but certainly among their best (though really, which isn’t?).

I’ve also just received the new Arsenal CD, Outsides, their follow up to Oyebo Soul (the latter of which apparently most accurately translates to “White Boy Soul,” which, being a white boy, I find amusing). They’re a bit of a fusion band; as nearly as I can figure, the members of the band are from El Salvador, Puerto Rico, and Boston, or somesuch; really, they’re a terrific mixture of some very different styles. They’re a bit electronica, but a little lounge-y, with some rock thrown in for a sexy groove. I dig them lots.

And finally, Steve Acho. I found Steve by accident; I’d been searching on iTunes for different versions of Leonard Cohen’s “Hallelujah” (the greatest lyrics in the history of music? Discuss), and his covers CDs came up. I like his style and delivery; I’ve seen comparisons to Elton John and Billy Joel, but I think they’re superficial at best–just because he’s a dude with a piano doesn’t make him comparable. He lacks the ostentation of the former, certainly, and seems more passionate than the latter.

So what’re you listening to?