All the “versus” debates floating around recently have made me think about debates in the first place. Binary thinking.
Conceptual versus linear thinking. Which, of course, one could argue is just as binary.
All the “versus” debates floating around recently have made me think about debates in the first place. Binary thinking.
Conceptual versus linear thinking. Which, of course, one could argue is just as binary.
A year ago today, I began to serialize Meets Girl, then published it in paperback and on Kindle over the Thanksgiving holiday, three weeks into its serialization. I refrained from writing about it for a couple of reasons, the most major being that I didn’t want to spoil anything for anyone. However, given that a year–give or take–has passed, I feel the statute of limitations on spoilers has expired.
So I thought I’d take a moment to write about it. If you haven’t read it yet, pick it up here, for Kindle or in paperback, and come back.
If you have, more after the jump.
I know, I know: I said I was going to return to consistent form, managed several posts, and then disappeared for months. I mean, I’ve been on Twitter and writing monthly for The Nervous Breakdown, but haven’t really been here since early February, looks like.
Lots of stuff going on these past several months. Early on, much of my attention was focused on my mom, who was sick.
One day I’ll write about all that.
Today is not that day.
Today I want to write about turning 32.
I just caught a tweeted link to this blog by Mitch Joel on publishing and blogging.
Those of you who’ve read my “The Trouble with Blogging post know that this is something I’ve been thinking about. Hell, it’s part of the reason I’m doing an MBA.
Right now, I’m teaching my students about structure and plot using Harry Potter and the Sorceror’s Stone as a demonstration of a Hero’s Journey plot archetype. Reading it, I’m rediscovering just how excellently Rowling hits every plot point and necessary element note for note, from the Call to Adventure to the Crossing of the First Threshold etc. Harry Potter is really an excellent example of someone who becomes a hero; he certainly doesn’t start out that way. Yesterday, while teaching, I was asking my students what makes people heroes. What do we look for as a demonstration of heroism?
One mentioned worthwhile purpose, and intention.
When I first researched graduate school, what seems like all those years ago, one of the first things I did was order books from faculty members at every institution that caught my interest. Some great programs, like Johns Hopkins and Iowa, I had dismissed early because they hadn’t seemed to jibe with my direction, which left places like North Carolina and somewhere in Arizona. I don’t remember all the institutions, and only a few of the authors.
I didn’t have to do that this time around. This time around, NYU came to me with the same certainty as USC; all that’s left is getting in.
Which meant I felt I should familiarize myself with some of the work of some of the faculty members, the stand-outs of whom include E.L. Doctorow and Jonathan Safran Foer. Neither of whom I’ve ever read. Nothing against them, just never seemed like my thing; I’d rather read Neil Gaiman and Harry Potter and Joe Hill, most of the time. For me, the novels whose scope doesn’t stretch much beyond characters coping with ordinary lives have never really excited me so much. I’ve tried reading guys like Tom Wolfe and John Updike, and I generally feel decidedly meh about them. I hate to call it “serious” fiction, if only because it seems to imply that people like Gaiman and Rowling aren’t serious about writing and stories, and I think that’s foolhardy. I’d hate, too, though, to attempt to claim it’s all about marketing, because it’s really not.
Before this becomes a discussion of genre in fiction, though, let’s move on to the reading. Because the first book I picked up was Foer’s Extremely Loud and Incredibly Close.
Earlier today, I got an e-mail from Cheryl Anne Gardner of POD People. I queried their site a while ago in the hope that they might review Entrekin. I figured they were just so backed up with books and reviews that they hadn’t had the chance to respond, which I understood; authors, self-published or otherwise, always hope for reviews of their books and so always query reviewers to do so, and I’d wager a book reviewers pile of books to read is similar in size, scope, range, and even quality, to editors’ and agents’ slushpiles. But the good news is that Gardner wrote me to let me know that she was going to review it probably shortly.
Which I’m just thrilled by.
So look for that soon.
I bring it up, though, because part of the reason Cheryl wrote was what occurred on the occassion of my first ever review. It was at the PODler (you can find a link in the archives here. Sorry, but I’d rather not link there myself; it only just fell from number 1 Google result, and I’d rather not put it back up there), and it was the sort of excellent for which a word like “glowing” is an understatement (“This is the writing of bestsellers.” So rad), and it was a thrillingly and overwhelmingly positive experience until a handful of anonymous commenters showed up to attack me.
Not my writing. Not my book. Me.
The most prevalent was the one I mentioned yesterday: “I won’t argue that Entrekin is a great writer,” which then went on to comment that I was “full of” myself.
I mentioned it yesterday and that I was happy it no longer came up as the first Google hit because can you just imagine an agent being intrigued by my query enough to hit Google only to find that as the first hit? I’d wager their first thought would be that I’m some prima donna author who thinks I’m the heir apparent to Stephen King and Jo Rowling and will become resentful when others don’t bow before my literary genius.
To which I say, in my best Wayne impression, shyaah!, not to mention: not!
Because seriously. I mean, what do you say to that? “Quite frankly, I resent the implication that I am full of myself. In fact, I am half-empty of myself, because I am a pessimist, and to fill the rest I seek meaningless sex, excessive alcohol, and the adoration of a whole bunch of people whom I will probably never meet except via the Internet (unless they come to an author signing).”
It’s kind of like being called defensive; if you defend yourself . . .
It’s probably silly to worry about, but I’ll admit it: I’m now past thirty and still worry about what other people think of me. I keep hoping that I’ll outgrow it someday, but someday continues to elude me so far.
But here’s the thing about one being full of one’s self:
I once heard that the difference between Eastern philosophy and Western religion is that the Western mode seeks external validation: from God, from the church, salvation through Christ, etc., whereas Eastern philosophy looks, instead, inward–toward the self. Toward the soul.
And that appeals to me. Which leads me to wonder if, according to Eastern philosophies, being full of one’s self isn’t a good thing? Or, at least, a goal to pursue?
I don’t know either way, but I’ll be personal for a moment, in a way I’m not usually, to tell you a story.
I went to a Jesuit college where I studied, among other subjects, theology (that my professor was a Jesuit priest trained as a Zen roshi might be why Eastern philosophy appeals so much to me). During that time, I became comfortable in my role on campus, in my role as a student, and then again in my role in commercial production. I won’t say I thought I had things pretty well figured out, and I read now the words I wrote then and I inwardly cringe, but, in a way, I felt somewhat full, I think. I was, largely, satisfied with my life.
And then September 11th. Which, I think, both emptied me out and made the vessel with which I was working larger (which, in turn, made it more difficult to fill). Suddenly, what had made sense before no longer did, and four years passed before I could really claim happiness again. Four years passed before I can really claim I felt full again. Satisfied.
And I remember the moment it changed again, when I realized I wanted to go to graduate school. It didn’t empty again, just made my vessel grow again, and so I drove across the country to Los Angeles, and I studied writing, and I began, again, to fill it. My vessel hadn’t grown so much as to require much fill, and then I published my book, and that helped it grow yet again.
And so I feel like the past few years have been a constant challenge of a growing vessel which I seek again and again to fill with my self. Each time my vessel grows, I seek new experiences, or new ways of seeing old ones, so that I can grow and fill it again.
It’s a challenge I have to admit I enjoy.
Full of myself? Sometimes, maybe. Perhaps. But when I’m really lucky there’s a little more room in the vessel yet to be filled, and the challenge of looking inward to do so is simultaneously one of the most difficult and most rewarding.
“I awake from a long, deep sleep
In a leaky little boat on a wide blue sea
I spy no islane, rock or shore
And the sea, she’s a-comin’ to me through a hole in the floor
And the tide come in and the tide go out
And the waves they came toss my little boat about
And the sky turn black and the sky turn blue
I got no pail, no sail, no anchor, too
Just a leaky little boat
And as I wake I look around
I have no notion where I’m bound
So many different colored boats I see
Are all leaky, lonely, and driftin’
Just like me
And the tide come in and the tide go out…
I spy no island rock or shore
And the sea keeps a-comin’ to me through a hole in the floor
Of my leaky little boat
Alone, adrift together are we
Slowly sinkin’ in a deep blue sea
But we smile and we wave
And we say, “I’m afraid…and I love you…and here we go…”
–Roger Clyne and the Peacemakers, “Leaky Little Boat”
(update: edited to paraphrase the anonymous quote in question, for Google-rific reasons)
This, I think, would be the Internet’s definition of humility.
For the most part.
(Neil Gaiman muses on his spot at #3 on this list.)
Actually, I think Neil’s right. The list seems a little… off. I mean, J.R.R. “motherfuckers walking, my novel’s are the literary definition of plot coupon” Tolkien at number 2?
I do like Pratchett, though.
My top five, in no particular order, would be Neil, Terry, Stephen King, Jo Rowling, and Jonathan Carroll. With a further five to Joe Hill, Jo Walton, Richard Cox, Will Shetterly, and Audrey Niffenegger.
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