Multiple Enthusiasms

Infinite jest. Excellent fancy. Flashes of merriment.

Tag: graduate school

One of the biggest challenges that came with becoming a writing instructor was a rather silly one; figuring out what my students would call me. Technically, professorship is a tenure-track position; my contract will be up in two months, and because I will graduate in May, I’m fairly certain it’s not extendable. Even if I wanted to stick around for another year, I don’t think I’d be allowed.

It’s been a question since at least as far back as I was a substitute teacher for a simple reason: I’m not comfortable with Mr. Entrekin. It just doesn’t fit me as an appellation. My father won’t let anyone call him “Mr. Entrekin”; when someone tries, he informs him that was his father, who has long since passed away–they can call my dad ‘Steve.’ (That’s his name, after all. Calling him Doug would just be off-putting.) It’s not a simple last name, either: ENT-ruh-kin is not obvious on first reading (many go with en-TREK-in, which is just plain wrong).

When I was a sub, I solved the problem by letting the students call me “Mr. E”.

But that didn’t feel right for a college classroom.

Some of my colleagues just let their students call them by their first names. But there’s something– in my head, my students are paying as much for an experience as they are for the information. They are none of them older than 19, which puts me a solid decade ahead on the age scale, but more than that; I feel I’ve earned some degree of distinction, to distinguish myself from them. I don’t feel as though they are my peers; I feel, in fact, as though we are in a relationship very much related to a business transaction, providing a service to them as consumers.

The thing is, though, it rarely comes up. They rarely need to address me. Which is why, last semester, it became a running question, for a few weeks, until a solution presented itself when a student settled on a title.

He called me sensei.

And it just fit.

It was perfect. Because Bob Kennedy taught me as much about writing and thinking as he did about faith, and he did so by forcing me to learn it. My feelings about writing are intricately tied to my beliefs about faith and spirituality and life, as well.

Later during last semester, I received a few emails generated by the college database, which addressed me as ‘Professor Entrekin,’ and so validated that title, in a way; if USC recognized me as a professor, I had earned the right to let students call me one.

But that other title, that student-chosen title, the one that came from one pupil who knew nothing of my background . . . that fit. I am a guide moreso than I am a teacher; I am there less to teach or instruct them than I am to help them learn.

It’s a subtle distinction, perhaps, but I think they sense it.

Conferences today (I’m writing this from my office); USC’s Writing Program requires instructors to do one-on-one conferences with each student once per assignment, of which there are 5. I’m basically, then, the one professor my students really connect with to some real degree.

I like that. It opens it all up to remind everyone that my class isn’t about the room it’s in.

It’s hard, some days, to pinpoint what it’s really about; writing is hard to teach. I’m teaching freshman composition/rhetoric, and it’s exciting and challenging, but I also find it extraordinarily difficult to teach because it’s made me realize I haven’t a clue how I learned in the first place. I know I’m pretty good at it (some days better than others), but the how?

I was a sophomore in college when I took a seminar in theology with Robert Kennedy. We mainly watched videos during lectures, but the real meat of the class was our own thought-time; we began the course in Genesis, and each week we tackled something new (following Biblical chronology). I was, by then, already lapsed in both Christianity and Wicca, and just starting to explore Buddhism, which made Kennedy perhaps a perfect teacher at that point in my life; he’s a Jesuit priest ordained in the White Plum lineage of Zen, and he wrote a book called Zen Spirit, Christian Spirit, concerning questions of where the two intersect.

We finished the Bible two weeks into the second semester. We still had four months to go, and so we moved on: Hobbes and Dante and Joyce (oh, my!). Yeah, James Joyce in a theology class.

The real thing I learned most was how connected everything is. We’d watch a lecture, after which I’d go across to the library, max out my library card with five books, read them, and then come up with a compelling argument. He didn’t teach us how to write our papers, how to analyze the texts, how to support our own arguments.

He only listened.

That first semester I pulled a 3.5 after starting with a couple C+s.

The second, I earned a 4. It’s the single college grade of which I’m most proud, because it really did reflect how much I learned.

But how to teach that?

I’m still learning. Some days I struggle with it. I challenge my students to be bold and to really own their own ideas. Some think I’m too harsh a grader, others feel they earned what they get.

The thing is, the writing process is hard to teach. I’ve been writing for fifteen years, and I’m still learning every day. In a goal-oriented society, it’s hard to really convey the idea that some processes won’t end until you’re dead (and then, who the hell knows? There’s probably even more after that fact). Some of my students note that they still have trouble with it, and each time they do so I smile and I say: “Welcome to writing. It doesn’t get easier, but sometimes you do get better.”

I was eleven years old when I read Stephen King’s Needful Things and realized I loved stories and wanted to tell them myself. That King’s work prompted the realization and that my parents were both pretty avid readers while I was growing up were probably the two reasons I actually thought writing was a pretty certainly viable career option, or could be. One of the stories in my collection is called “Deluded,” and part of the point of that story, at least to me (and I’m only one reader of it, so consider this one personal take) is that there is, sometimes, a fine line between faith and delusion. Delusion and certainty. And that’s okay; I grew up with the firm belief that I was going to become a great writer through careful work and a lot of discipline, and could achieve success by way of the sheer force of my will to write better. Not better than anyone else so much as better than I realized I could, every word down.

For many years growing up, however, I also thought I wanted to be a doctor. I studied hard and started college with a major in premedical biology. In my high school yearbook, my life’s goals were: “go to med school, be a doctor, write a book.” I remember telling my parents I would start a practice and then, at some point, when my book became a bestseller, take a few-years sabbatical to concentrate on writing.

I didn’t realize it at the time, but I think that idea of a sabbatical was key; I think I was subconsciously realizing that I wanted the safety to support the more risky profession.

By the time I was a junior, however, I’d realized I’m not a doctor, and that’s still the way I think of it. Because, you see, I don’t believe that training and education make someone a doctor; one of my best friends is a doctor (and a successful one, at that), and I think he was a doctor when we were undergrads and roommates. He had to learn the anatomy and the surgery and the general stuff, certainly, but I think ‘doctor’ was part of his core to start. Me, I don’t have the confidence, I realized. I don’t have the self-certainty to stick my fingers into someone’s body, nor even to cut it open in the first place. I realized this the month before I was to sign up for my MCATs, but am glad I did.

What that meant was, after college, I floundered a bit. I graduated with (nearly) two degrees (six credits shy of a second in natural science) and honors and etc., but I hadn’t sold my book. So I needed a job. I fell into temping pretty much by accident and lucked into commercial production via a cushy gig on Madison Avenue. But it didn’t suit me as medicine hadn’t; advertising didn’t resonate with me, and I have trouble doing things I don’t believe in or can’t stand behind.

September 11th kicked me in the pants to figure stuff out. I thought I would by moving back home, regrouping, maybe subbing and then becoming a high school teacher, so I could write in my off time. I got set back, however, and fell into a six-month depression from which I emerged with shoddy credit and little in the way of real prospects. I became a personal trainer for a while, and then finally got into subbing, which was fine for what it was, but I’ve never been about fine with what things are. I remember being at a shitty Christmas party thing, though, and I remember thinking how much more fun it would be if the company throwing it had actually produced a book instead (they sold security systems, from what I recall of it).

So I got it in my head to work for a publisher. I considered moving back to Manhattan, but then found a gig five minutes from my parents’ house, where I was living, as an assistant editor for a healthcare publishing company. Felt like a perfect fit.

It wasn’t. I was there nearly three years, but never loved it. I discovered I couldn’t put my heart into it, and my performance suffered.

That was when I settled on graduate school, which opened my life. Moreso: teaching.

I became an instructor via USC’s Writing Program, and the most important thing I’ve learned is that I don’t have to just be a writer anymore. I don’t have to try to rely on it for income; I can be a student, and an instructor, because I love to be both. It’s been a real relief, and oddly, it’s freed me to become a better writer than I realized I could be; this latest draft of my novel finally feels like the one, and I think it feels that way because I stopped worrying so fucking much about selling it or succeeding with it and just concentrated on telling that story as best I could.

Being a writer is probably a good gig, but I’m having much more fun just being someone who writes.