Tag: Chance Sowin

July 11, 2011

Chance awoke to bumps and shudders, a wailing, backward-rushing cacophony and the furtive rustle of crinkling plastic. Something clung over his nose and mouth, and pain throbbed in his head. His first thought was of his father and the gunman. His first emotion was panic. His first action was to sit up as he reached toward his face, where his fingertips brushed a mask.

Quick movement. A man to his left crouched over him. He wore a crisp, white shirt with a gold-and-black patch and put a latex-gloved hand on Chance’s chest. “Take it easy.”

“My dad.” Chance’s breath fogged the mask. His voice didn’t make it past the plastic.

“We’re taking you to County.”

Chance tried to rise, but the man pressed back against his chest, whispered something about sedation if necessary, and then, when Chance wouldn’t calm down, when Chance couldn’t calm down, made good on the warning. Chance felt a pinch near his elbow, looked down to see a clear plastic syringe with numbers on its side jammed to its hilt into his arm. He didn’t see the man depress the plunger, only felt calm, warm indifference spread like infection through his body before he sank slowly again into the darkness.

July 4, 2011

New to the novel? Start here.

Southwark, England. 1606.

The first public performance of Shakespeare’s

The Tragedy of Macbeth

The Globe Theater was exactly as Leonard Kensington had expected: an open-air amphitheatre with three levels of gallery seats looming up and over him. Crushed hazelnut shells on the ground didn’t quite mask the body odor of 2,000 people who lived in a society that hadn’t yet discovered underarm deodorant.

Onstage, Richard Burbage, as Macbeth, began the fifth act to conclude the play. “Hang out our banners on the outward walls,” he pointed out over the audience as if he were seeing Inverness, and so the Globe pretended it was a centuries-old castle in Scotland, the river Thames pretended it was Ness. “The cry is still, ‘They come.’ Our castle’s strength will laugh a siege to scorn. Here let them lie till famine and the ague eat them up. Were they not forced with those that should be ours, we might have met them dareful, beard to beard, and beat them backward home.”

The quantum implant in Leonard’s temporal lobe began to buzz. He squeezed his earlobe, quietly cleared his throat, which meant: wait. He looked around at the people standing beside him, all of whom were enthralled by that big man on the stage and his words.

Backstage, and so in the bowels of Castle Inverness, several women screamed. Macbeth turned toward the sound. “What is that noise?”

“It is the cry of women, my good lord,” Will Shakespeare, playing Macbeth’s attendant, Seyton, answered. Shakespeare was a small, pale man with fine features and quick, lively eyes. He hurried offstage to investigate.

July 1, 2011

“It is not unknown to me that many have been and still are of the opinion that the affairs of this world are so under the direction of Fortune and of God that man’s prudence cannot control them; in fact that man has no resource against them. For this reason, many think there is no use in sweating much over such matters, but that one might as well let Chance take control.”

-Niccolo Machiavelli, in The Prince

Part I

Present Fears

“Do I dare
Disturb the universe?
In a minute, there is time
For decisions and revisions which a minute will reverse.”
-T.S. Eliot, “The Love Song of J. Alfred Prufrock”

1

Chance Sowin hoped only for a new beginning.

Halloween 2001 found Chance driving the narrow streets of the development in which he’d grown up, headed home. Six weeks before, he’d hustled out the main entrance of the World Trade Center only an hour before it fell, taking all that business and life, along with Chance’s temp job at a law firm, down with it.

Chance hadn’t been sure what to do next. His father, Dennis, had suggested he come home. “Take some time,” his father had said. “Sort yourself out. All the time you need.”

Chance had been uncertain about it until he’d realized there was no longer anything keeping him in Manhattan, and familiar sounded good. Familiar sounded just about right. And so he’d packed everything he owned into a compact rental car and taken the Jersey Turnpike south, and now he pulled that car to the curb in front of his childhood home, a long, flat rancher. He squeezed the steering wheel as he took a deep breath, as if to steel himself, though for what he didn’t know, and then he got out of the car and stepped up the curb and was struck by déjà vu like sudden density goose-prickling up his neck: You’ve been here before.

Of course he had: he’d grown up here, after all, played stickball at the foot of the cul-de-sac, even tripped and busted his baby teeth on the very same curb he stepped up, but what crawled his skin was not simple familiarity. It was stronger, stranger, and it made the world seem hyper-intense, the October leaves speckling the lawn more vibrant, the afternoon light more glaring. It persisted as Chance crossed his lawn, until he saw the front door: brief space between the edge of the door and its jamb, wood splintered where the deadbolt had broken. Chance felt two simultaneous emotions collide.

First: uncanny familiarity—of infinite broken doors on infinite splintered days, over and over again—followed then, as lightning by thunder, by cold, brutal fear.
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Multiple Enthusiasms

Infinite jest. Excellent fancy. Flashes of merriment.