Multiple Enthusiasms

Infinite jest. Excellent fancy. Flashes of merriment.

Tag: blogging

I‘ve been posting stuff online, in various forums, for more than five years. A couple of years ago, shortly after graduating from USC, I realized I needed a while to be quiet. I needed some time to figure out what “being a writer” meant for me.

I’ve realized this is part of it. That the trouble with blogging is not something that concerns me anymore. Don’t take me wrong; I still want to explore the dilemma there, but more in the sense of what marketing and writing mean nowadays.

I’ve nearly completed my marketing MBA. I enrolled in Regis University when I lived, for a time, in Denver several years ago, and it’s possible to complete the program online without any of the connotations of online degrees. It’s not University of Phoenix–with no offense intended to that online institution.

There is, however, an interesting point I stick to there, and I think it applies overall. Nowadays, it’s so easy for people, online, to not only pose as experts but to become them. You get a lot of people talking very loudly in a small community, and regardless of their backgrounds, knowledge bases, and levels of expertise, people start to look to them for advice when the advice they offer is not actually all that sound.

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That was one of the search phrases that led someone here. The actual phrase was “is blogging worth it writer,” but it immediately rewrote itself as a question in my head. I’m going to figure the seeker in question found “The Trouble with Blogging,” which remains one of the most popular posts on this site.

That post discussed the dilemma sharing writing online, for free, poses to the professional writer–and by “professional,” I’m meaning both those writers who are aspiring toward bestsellerdom and those who have already achieved it. Actually, though, I’ve realized, more accurately, it’s really only a dilemma for aspiring authors, less so for ones who’ve gotten publication deals already; certainly, J.K. Rowling, Dan Brown, Stephenie Meyer, and Stephen King don’t really have to worry about any such dilemmas, given how much money they make from their books already.

Then again, none of them blog.

(Can I note, as an aside, how much I loathe the word? “Blog”? It sounds like the Internet drank too much. It sometimes reads that way, too.)

The prevailing dilemma I wrote about was a simple question often raised in other contexts: why buy the cow when you can get the milk for free? If I–as a guy who’s endeavored, over the past few years, to become a professional writer, and, indeed, has a master’s degree in it–continue to post good, well thought-out, well written essays on my site, why would readers want to buy my books?

Of course, the answer is right there; because my site is not my book. Because my books–while well written and well executed and occasionally full of essays–are mostly not what is on my site.

But is it worth it?

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In the realm of the every day, the word “exciting” generally means something fun, something that gets the old ticker going, but in the realm of science, physics, and chemistry, excitation has a more specific meaning. In quantum mechanics, for example, excitation means any particle’s assumption of a higher state of energy.

When I think of excitation, I think of electrons. It’s been years since I formally studied chemistry and physics, but I remember electrons and their shells. Every electron has a nucleus: positive protons and neutral neutrons. Around this nucleus exists an electron cloud difficult to study because of the way it exists–in a quantum sense, only sporadically. Consider a city block, and imagine that some of the buildings exist only on days that begin with a T while others exist on days that begin with an S and others exist on all other days, mostly, you get a sense of quantum uncertainty and the existence of electrons–as particles and waves that are both only partially there simultaneously.

Most atoms–save those of the first few elements–have electron shells with multiple energy levels. The number of electrons is generally equal to the number of protons, but sometimes that leads to certain instability, or even propensity to react. Consider, for example, lithium, which has three protons and three electrons in its shell. Its first energy level is full, with two, but that leaves a third electron to react with just about anything it sees: imagine a horny, hyperactive dog who will hump any leg it finds and you’re thinking of lithium. On the other hand, back up one: helium has two protons, with two electrons in its shell, a full energy level. Helium also has a monocle and a top hat, and it wipes its white-gloved hands with disdain when it encounters any other elements. It will only speak to one under duress.

The thing about those energy levels is that, under the right circumstances, an electron can be induced to assume a higher state. This higher state of energy is called “excitation.” An excited electron is one that achieved a higher level than it had reached just a moment before.

***

Very exciting news around these parts. I’m thrilled, honored, privileged, and humbled (simultaneously) to be working with Simon Smithson.

During the past few months, I’ve found my excitement for all things stories and words and books rekindled. Which is a pun, mainly because Amazon’s Kindle might be the most significant source of my newfound enthusiasm. I swear, I haven’t had so much fun, nor read so much, nor bought so many books, since I don’t know when.

Perhaps the most brilliant thing about Kindle, though, is all it makes possible. It throws open the doors, kicks wide the gates.

There’s a new world of possibilities.

When I published my collection in 2007, neither Kindle nor iPhone actually yet existed. eReaders were niche gadgets, novelties at best and absurdities at worst, expensive and awkward and not really able to deliver a quality reading experience. The first Kindle was still six months away and would be expensive, even if its e-ink display would become (and remains) the best in the market.

Now Kindle is on every device out there. Jeff Bezos has been really smart to deliver the platform across devices, tying the reading experience to software, rather than hardware.

And it’s rather perfect for a couple of emerging authors to take advantage of.

Which is what Simon and I plan to do.

This week, we’re launching Sparks. He told you all the news with regard to the book.

What he didn’t really much go into was what it means for Exciting Books.

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When I published my collection in 2007 and effectively founded Exciting Books, I’d already conceived of the model I aimed to ultimately follow with regard to writing and publishing. Back then, I wasn’t sure what sort of path my career would take, but I did know the sort of projects I ultimately hoped to work on: highly commercial, genre-busting blockbuster novels, which I’d intersperse with projects I saw as smaller.

Meets Girl for all intents and purposes, would fall into the latter category.

What I ultimately hoped to do was exactly what I’ve found myself doing, even if I wasn’t quite aware of it: leverage my experience and knowledge to bring publishing up to a new, and higher, energy level.

And now, with other authors.

Because this is how things change. A couple of blokes with a bold idea to excite things. Shake things up a bit while taking them up a notch. Which may mix metaphors, but hopefully doesn’t conceal my intention.

In the past year or so, I’ve reveled in quietude while trying to figure out how to do what I meant to do. I’ve moved to Manhattan, studied marketing, dedicated myself to writing better.

And now, I think it’s time to try some exciting things. In the spirit of which I figured it was time to redo the site header, retitling this here endeavor. In the spirit of which I intend to publish more often more exciting and interesting things, including but not limited to the stuff I’ve been learning over the past few years.

In other words, here goes everything.

Sparks marks the first Exciting Book that isn’t solely mine.

Exciting Books: When people talk about ebooks and epublishing, the ‘e’ they’re talking about is Exciting.

The life of a writer, despite what you may have heard, is not exactly glamorous (though some writers look way better living one than others), and it’s often full of hustling and scrambling to reach certain goals, not the least of which is getting paid. Several months ago, while seeking freelance opportunities to supplement the meager income of being an adjunct professor at a small college, I found an opportunity to write online for a growing website I will leave nameless, both for purposes of professionalism and discussion but also because it’s not actually relevant to my purposes.

The ad I saw looked interesting and sought a writer interested in a monthly column. So I dropped a note to the supplied e-mail and, when I got a positive response, checked out the site, which was actually pretty awesome. I looked over some of the articles and pitched to the editor an idea I’d been kicking around for a few months (and still am).

The editor was encouraging and liked my style but thought the topic to specific and narrow, too relevant to writers and not relevant enough to their readers.

Ah, the dichotomy.

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Technorati has released its latest “State of the Blogosphere”.

From it, Mediabistro’s Galley Cat pulls that only 2% of bloggers cite blogging and their blogs as their primary source of income.

Which sounds about right.

Mainly because: isn’t that about the same as the number of writers who make their living at writing?

I’m not. Once upon a time, I hoped to be, but then again in recent years I’ve realized that I don’t think writing is all I’d want to do. I love to write, but when it starts to become all I do, I think I feel like there’s imbalance in my life. The whole “all work and no play” thing, to some extent. I mean, I go back and forth on it, because I think that writing is playing, to some extent, but I guess what it comes down to is that writing is a largely solitary activity, and I can’t very well be in the world if I’m being all solitary and such.

via Only Two Percent of Bloggers Can Make a Living – mediabistro.com: GalleyCat

(pretend there’s a little accent thingy over that ‘e’, please, because I think there should be one there. I could be wrong)

Wired‘s Paul Boutin notes that “blogging is so 2004.” Basically, Boutin seems to think that Twitter, Flickr, and Facebook have not so much rendered blogs obsolete as taken their thunder. Why blog when we can micro-Twitter and Flickr to our hearts’ content? His first paragraph indicates I need to quit blogging, because it just ain’t worth it, and I’ll never reach a level of, say, Gizmodo, the popular gadgets blog with a team of writers producing dozens of posts per day.

He’s probably correct. I think I hope he’s correct, in fact. I have a bit of a love/hate relationship with blogging, I’ll admit, for personal reasons; while I do love to do it, and I love the instantaneous and often-collaborative nature of it, I feel like . . . well, I feel a lot like it takes away from my real writing. And I hate to say this isn’t my ‘real writing,’ but I’ve never thought of it that way, probably because I use different writing ‘muscles’ to blog than to write . . . well, pretty much everything else. I’ve been discussing with my students the idea of frameworks in writing, and I’ve always thought blogs have a different framework than anything else, probably because everything has its own framework.

Then again, that may be just me.

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Last week, several of my very favorite blogs helped me get the word out concerning my collection/essay.

Literary agent wunderkind extraordinaire Nathan Bransford noted it, along with several other terrific links (especially the ones to Swivet) in his routine This Week in Publishing roundup.

Dani Torres mentioned essay and collection both in Reading Notes over at A Work in Progress.

I discovered that my former classmate and fellow writer/blogger the illustrious Mister John Fox was actually there, that day, as well, when he mentioned it over at BookFox. Funny, that; John and I both taught in the same writing program and studied with John Rechy, and yet it never once came up between us.

Over at Book Addiction, Heather, who was a high school senior that day (no, I don’t feel old. Why do you ask?) mentioned it.

Besides the interview he ran over at Lulu Book Review, Shannon Yarbrough, author of Stealing Wishes, which is just flying up the charts at Amazon, mentioned it on his personal site.

Chartroose posted the essay in its entirety at the sublimely named “Bloody Hell, It’s a Book Barrage!

Trish, whose birthday is Dec. 7th, another day of infamy (I see you opening Wikipedia in another tab. It’s the anniversary of the Pearl Harbor attack) wrote about it at “Hey Lady! Whatcha Readin’?” and she’ll be happy I got the punctuation right.

Chandler Craig maintains Fumbling With Fiction and mentioned it in a post concerning book memory. She called me a nice aspiring writer, and she’d know; she’s one, as well, who writes Young Adult fiction and whose novel, Scout, just landed her representation with Daniel Lazar. If she weren’t so damned enthusiastic and didn’t totally deserve it, I’d be batshit envious about it, but I’m not, because it couldn’t have happened to a sweeter gal.

And finally, I’m mentioning this one last because it prompted some thought on my end. World Fantasy Award nominee Will Shetterly mentioned it at It’s All One Thing, (the WFA nom is for The Gospel of the Knife, and meanwhile, in a fun turn of events, his wife Emma Bull is also nominated this year, for Territory) and in the same breath noted some issues with the United way– that it’s not the most efficient charity out there and that it’s famous for paying its executives a whole lot of money.

I chose the United Way because I, personally, go way back with them. My father used to work at a local Mobil refinery and volunteered with the United Way when I was a kid; I remember, some summers, he used to get to use a van for a few weeks, though I realize now, thinking about it, I haven’t a clue why. Also because it was one of the reasons the Boy Scouts of America began to change its policies regarding discrimination based on sexual orientation. For a long time, the BSA denied membership to anyone gay, but some units actively began to defy national tenets in favor of keeping United Way funding.

That means a lot to me. The Boy Scouts was one of the most influential organizations in my life, and I value that every bit as much as I hate their discrimination policies.

Anyway, that was my mindset going in. And this is the mission statement of the United Way NYC:

United Way of New York City creates and supports strategic initiatives that address the root causes of critical human care problems in order to achieve measurable improvement in the lives of the city’s most vulnerable residents and communities. Throughout our work, we partner with neighborhood agencies, government, business, foundations, volunteers and others so that collectively we can achieve more than any one organization working alone. By leading programs that get at the root causes of problems in these five key areas, United Way of New York City creates lasting, systemic change: homelessness prevention, access to healthcare, education, building economic independence, and strengthening New York City nonprofits.

But now that I think of it, really, I realized I should put the question to you. Because it is, after all, your money. Is there somewhere else you’d like to know it went? I’m wondering if donating it to the American Red Cross might not be a better idea, as that would actively help other people affected by very similar tragedies, and Lord knows it seems to come up every year anymore.

Thoughts?

And to everyone who mentioned it (I went by WordPress’ incoming links widget, so if I missed yours, let me know, or put it in the comments, please): thanks again.

Do you care that I’m still “almost done” my novel? Something I’ve been saying for a bit, I realize (if, by “a bit,” I mean, like, two years), but well, closer every day. That stumbling block the other day knocked me a bit sideways, and the ending is, and always has been, a trouble spot. Namely because I know the precise effect I’m trying to go for but haven’t a clue how to frickin’ do it.

So I’m experimenting. I’ve written and rewritten it several times already, not counting previous drafts.

I’ve been hesitating to continue posting about it, though. One of my favorite Hemingway quotes, and perhaps the smartest (not to mention: most sober) things I’ve ever heard he said was: “Fuck ’em. Let ’em think you were born knowing how to write.”

Or something to that effect.

Which is why I’ll admit I sometimes struggle with blogging (and probably why I take so many breaks from it), not just as an activity but as a culture. With blogging and MySpace/Facebook and now with Twitter . . . just how connected do people need to be? How much do I really need to know about people? Do I care what you’re listening to? More important: do you care what I’m listening to?

The thing is, many regard it as the answer or solution for writers and publishing, which they see as “in decline.” Oh, whatever will we do, peepul dont reed no morez11!! You’ve heard the lamentations. You’ve seen the YouTube videos, and if you haven’t, there’s this one, which caught on in the blogosphere a while ago:

Yeah.

The thing about it is that I think it’s pretty uniformly utter bullshit (and I like that that video highlights that). Book trailers? Book videos? Lulu has some marketing package thing that includes bookmarks and, like, postcards or some shit.

I can’t believe readership is down, or if it is, not for the reasons many suspect, like the “ADHD Internet culture”; the utter and nearly spontaneous proliferation of blogs seems to me to demonstrate otherwise. It took, what, nearly 20,000 years or something for the human race to reach the 1 billion mark, while blogs reached double that number in, like, two hours or something (I’m using hyperbole here, obviously, but only just).

I think it’s more about a signal-to-noise ratio, because I think readers thirst for content. I think our culture is starved for it, in fact. I think one of the reason for this proliferation is that people are starving for something they are looking to such 2.0 stylistic hoodoo to provide.

If readership is down, I think it’s because there are too few writers, and I mean real writers out there actually doing their job. One of my other favorite quotes, which traces back to a pseudonym used on the Well many moons ago (but possibly still in use), was “You’re an author! Fuck off and auth!” How many writers with popular blogs have actually managed to write good books?

(and yes, I realize that begins to get into the subjective nature of “good” and such, but I’m not tackling that here)

One of the major points I think all this examination of web 2.0 and its relationship to writers and books has summarily and utterly missed is that you can market the hell out of a mediocre book and it doesn’t actually make the book any better. And readers know that.

The thing is that it’s focus on two disparately different things: the writing of a book versus the selling of it. Two completely different functions and activities with, I’d argue, very little in common. And yes, I would be among the first to note that it’s no longer enough for writers to simply write their books, that proactive energy is necessary, but while it may not be enough, that’s where it starts.

The other thing is that the Internet and its numbers don’t translate. I learned this personally, on MySpace; I established a rather substantial readership of nearly 4,000 friends and 1,200 subscribers to my blog. My blog had nearly 3,000 views per day when I realized I wanted to publish my collection. And I won’t say it was summarily ignored (far from it), but those numbers certainly didn’t transfer from one situation to the other.

I think Entrekin has gotten about as much attention as it ever deserved to; some, certainly, because I wouldn’t have done it if I hadn’t thought it was good, but not a lot, because it’s certainly not a great book–it’s a book collecting a bunch of stories by a writer discovering his voice in the process of telling them. The order of the pieces is very nearly chronological (which, I think, demonstrates said evolution), to culminate in the first two chapters of my novel. It’s not perfect (and even the novel chapters have since changed rather markedly), but it’s a record, and concerning the people in whom it does manage to strike a chord, it seems to do so deeply. What negative response it seems to provoke has less to do with the book than it does with people’s perception of me, as a person.

Anyway, I didn’t mean to digress and really have no idea how I ended up where I now find myself, but that’s my story. An ironic call to arms, probably, from a guy who maintains (roughly) three separate blogs, but I hope a call to arms nonetheless, if to no one else but myself. Because, really, it’s time for me to finish a good book.

One of the things I like about WordPress is that it records statistics pretty closely over several categories; clicks, who referred whom, where people went after they came here, what posts they read . . . stuff like that. Also, what people entered into search engines to find this page. Anyway, I just caught this in the stats after that last post:

I’m left wondering why, precisely. Was someone wondering if I had one, or hoping for a date, or what?

For the record, there are certain things I’m just not comfortable blogging about. I’ve mentioned previous relationships at certain points in the past, but never current ones, because doing so feels, in a way, ungentlemanly.

So I won’t be.

And besides, seriously, who cares?

If you came here from my homepage, you probably noticed the “media” link.

My interests have always ranged pretty much all over the place; being an English lit major with a second major in science was no accident. I chose a Jesuit college not just because they offered me the most money but also because their approach to education seemed so attractive; their liberal arts sounded intensely liberal, and not just in a “versus conservative” sense. My theology class was one of the most formative of my life, and one of the things it taught me was not only to be open to all ideas but also to explore them. I took that philosophy deeply to heart, and my background reflects that; I took a job in commercial production after I graduated, then became a personal trainer and a subsitute teacher, and then an editor for a clinical psychiatric nursing journal.

One of the things people most often note about my collection is that it’s very diverse. I entered Writer’s Digest‘s self-published book of the year contest last year, and one of the judges commented that the collection is basically all over the place (more on that later). He (or she) was right. I’ve never been happy with one genre, or one subject, or one anything, mostly.

And lately, I haven’t been satisfied with one medium to work with.

Which was why, when I created the account for this blog, I also created this one I decided to name Imagery. Because I’ve gotten, lately, into photography, and I think I also want to create short films (I never stopped being a commercial producer, really), not to mention commercials for my books. I did want to keep the two separate (I won’t post photography/videos here, for the most part, or at least not mine), but also concurrent.

So long story short, this will be my main blog, but I plan to post daily to either one or the other (if not both).

I posted the first picture today. You can click that link up above to check it out. It seemed a propos for this week, and resonant with my current mindset.

I’ve been reading John Scalzi’s blog for a while now, though not nearly as long as it has, apparently, existed. I first learned of it last year or so, in, I believe, an issue of Wired. Scalzi is a science fiction writer whose books I’ll admit I’ve not read; I really only know about (and enjoy) his blog.

Today, he posted about his thoughts on blogs and bookselling. Scalzi is a blogger who blogged before ‘blogging’ actually existed as a word (I believe the word dates back to around 2001. Neil Gaiman is another); which, coincidentally, was before Scalzi actually had anything to sell. Nowadays he’s a multiple nominee for multiple awards (and has won several, including one for best new writer), but I loved his last paragraph:

“Personally I think people think about all this crap too hard. The reason to do a blog is because you want to. If you do it for any other reason, people will be able to tell, and it’s probably going to fall on its ass. The reason I think Whatever does well is because I like doing it, and I’ve liked doing it all the time I’ve done it. Simple enough.”

That’s why you’re here, actually. I haven’t talked about it much, but by summer of last year, I’d basically had a MyMeltdown; blogging on MySpace had become akin to my years in corporate America, or perhaps more accurately, my years temping. The site seemed to have become about either bashing or the relentless pursuit of more popularity. When I got the letter accepting me into my lectureship, I realized that I needed to learn how to reconcile my teaching life with my writing life. I realized I’d be standing, soon, before a group of students and attempting to play a very particular role, and I wished not to deviate from it. I didn’t want them to think of me as pretty much anything besides their professor, because I never did until I was well out of college.

The other thing I’ve already alluded to; Rupert Murdoch’s already bulky pockets. For my second assignment last semester, I guided my students through a prompt on journalistic integrity; what does it mean, who has it and how did they earn it, and can blogging fill the same role. Many explored the idea of conglomeration; that having a certain company behind you can help your credibility, but it also creates problems if it’s the wrong company, or if said company is concerned almost solely with ratings, as many seemed to be. Most noted that they didn’t believe anything they saw on Fox News.

That assignment helped prompt my decision to start this up. I learned as much through that assignment as they did. And now, it’s good to be back. It wasn’t so much that I didn’t realized what I had until it was gone so much as I didn’t realize how much I missed it until I came back.

Thans for coming back with me. I missed you.