Multiple Enthusiasms

Infinite jest. Excellent fancy. Flashes of merriment.

Tag: americano

What a difficult list to compile. Especially since, glancing down at my iTunes running, there are 33,773 songs in my library. According to iTunes, it will take me more than 100 days of continuous listening (with no sleep, now I realize) to listen to them all. It’s rather extensive, and it’s the sort of collection that makes my taste in music suspect at best, beginning as it does with A-Ha (because any collection without “Take On Me” is incomplete) and ending (before it reaches songs without proper ID3 tags and lumps them all) with “Skin Up Pin Up” by 808 State/Mansun from Spawn: The Album (iTunes is the first organization system I’ve seen that puts numbers after letters, rather than before; if it did, the first songs would be by 1 Giant Leap or 12 Rounds). In between those few, there’s everything from Rick Astley, Belinda Carlisle, and Bon Jovi to all of Clapton, the Beatles, and Sinatra.

So it’s pretty expansive.

But expansive as it is, I tend to stick to some favorites. Lately it’s been a lot of Wolfmother (and Jet; what is it about Australia that inspires such great rock music from its bands?), Vanessa Mae, and, as always, Roger Clyne and the Peacemakers. Also, Adam Lambert and Matt Wertz.

So there’s a lot. But I winnowed. I winnowed after I kept reading other lists that fawned over, like, Radiohead and such. I mean, has Radiohead ever managed to be as good as Pablo, Honey? They’re like Pearl Jam and Matchbox Twenty, with fantastic debut CDs but output that has gotten subsequently less terrific with each title. For me, anyway. Your listening may vary. Also, dear Rolling Stone: The Strokes and Wilco in number 2 and number 3 spots, respectively. No offense, but seriously? No wonder people debate the continued relevance of the magazine. I mean, how safe.

Why not stretch a bit? Why not reach for some choices few people would expect? Then again, this from a guy who doesn’t really enjoy any of those three bands. I know lots of reviewers fell over themselves to heap a lot of praise on Yankee Hotel Foxtrot, but there wasn’t a single song on it that made me want to listen to the CD again. I get the impression it’s all just, like, hey, everyone else likes it, so we should, too, but to cite one of the artists who earned a spot on my list by way of a great CD, “You don’t know what love is, you just do as you’re told.”

So, suspect taste noted, shall we? My top ten albums of the last ten years, in order:

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A new Roger Clyne & the Peacemakers CD is reason enough to write, and would make this post good enough, but good enough is simply not awesome, is it?

I’ve been a huge fan of Clyne since 1995, and the Refreshments; Fizzy, Fuzzy, Big, & Buzzy was the first CD I ever owned I loved beginning to end. I played the shit out of that bad boy. Over and over. I passed up a chance to see the Refreshments in New York, once, and they subsequently broke up. Clyne reformed a band not long afterward with a few members of other bands from the Tempe music scene, and Roger Clyne & the Peacemakers released Honky Tonk Union.

RC&tPM are the most successful independent band in the country, from what I’ve read. I think they deserve it; I love pretty much everything I hear from them. Not everything, mind you; I think it’s rare to find an artist whose entire output one loves, but they come pretty close. Clyne reminds me equally of Bob Dylan, Willie Nelson, and Bruce Springsteen, but to my mind surpasses all three with a unique vision of the southwest, peace, love, and rock ‘n roll. This new one, Turbo Ocho, is really good; not as awesome as !Americano!, but certainly among their best (though really, which isn’t?).

I’ve also just received the new Arsenal CD, Outsides, their follow up to Oyebo Soul (the latter of which apparently most accurately translates to “White Boy Soul,” which, being a white boy, I find amusing). They’re a bit of a fusion band; as nearly as I can figure, the members of the band are from El Salvador, Puerto Rico, and Boston, or somesuch; really, they’re a terrific mixture of some very different styles. They’re a bit electronica, but a little lounge-y, with some rock thrown in for a sexy groove. I dig them lots.

And finally, Steve Acho. I found Steve by accident; I’d been searching on iTunes for different versions of Leonard Cohen’s “Hallelujah” (the greatest lyrics in the history of music? Discuss), and his covers CDs came up. I like his style and delivery; I’ve seen comparisons to Elton John and Billy Joel, but I think they’re superficial at best–just because he’s a dude with a piano doesn’t make him comparable. He lacks the ostentation of the former, certainly, and seems more passionate than the latter.

So what’re you listening to?