Multiple Enthusiasms

Infinite jest. Excellent fancy. Flashes of merriment.

Tag: 9/11

I dig Bill Maher, mostly. Like his stuff. I mean, he’s neither Eddie Izzard nor Jon Stewart, but I do appreciate both his candor and his challenge. I agree with him often, but often mostly in the sense that I agree with Jon Stewart: not in the sense that I’m lefty or liberal or whathaveyou, but more in the sense that I just find the whole system and process completely absurd, as well as many of the participants therein.

I don’t really watch television, though, so I rarely catch Politically Incorrect with Bill Maher. I’m sure I could catch recaps, somehow, but I’m rarely so inclined.

I’ll tell you, though: I’m totally inclined to see his new “mock documentary,” Religulous.

I may even start using religulous as an adjective. Seems like, on the hierarchy scale, things would be first ridiculous, and then totally ludicrous, and then absolutely religulous.

Trailer after the Continue reading

I.
The desert
is all you can see.
Monochromatic, golden-brilliant:
the sun glares down on you so hard
your whole body squints.

You don’t remember how long you’ve been out here.
Your skin has leathered.
Your bones form odd angles and crevices beneath it.
It hurts to breathe.
The acrid air burns your lungs.

You mutter to yourself
under your breath.
You may be the only person
who has ever heard your voice.

Your lips are chapped,
cracked,
broken and bled and scabbed over.
You would cry if you could remember
what moisture was.

You shuffle-shamble along.
Sometimes a burst of energy makes you sprint;
most times you are deliberate and going is slow.
Eventually you stop,
thinking you cannot go on.
But there is still much to say,
and so,
unable to find a stick with which to trace in the sand,
you gnaw into your wrist,
letting your blood.
You stain the world.
Whorls and swirls and symbols,
And you write:

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Every year, I think it’s going to be different. Every year, I write a little more about it, talk a little more about it, and every year I think it’s going to make some difference. Every year I believe I’ve processed it a little better, a little differently, learned to cope with it a little more.

Every year, I’m wrong again.

Every year, I think I might sleep a little later, and every year my body shocks me awake at almost exactly 8:45 am Eastern standard time. Every year I think I might just make it to my alarm, and every year I don’t. Every year I wake up confused and bewildered for a just a moment during which I don’t remember what day it is. And every year, I do, all over again. Every year, I get quiet and reticent.

Every year, I watch two videos. They are as traditional to me at this time of year as Twas the Night Before Christmas is traditional to December.

The first one is of Jon Stewart introducing The Daily Show on the day it returned to broadcast on September 20th, 2001.

The other is the video for Ryan Adams’ song “New York, New York.”

Unfortunately, WordPress, Comedy Central, and MTV don’t seem to play nice, so you’ll have to follow those links, but trust me, they’re worth it.

I just wanted to share them, because they are cathartic on a day on which I otherwise shut completely down. I tend to solidify like concrete, mute and rigid and immobile, and each of those videos seems to serve as tiny, persistent chisels, busting away all the defense mechanisms I’ve thrown up since the day I smelled that dust (some days I fear there are too many). And I figured, since I truly believe there is catharsis for all of us in sharing the memory of that day, I feel too that there is similar relief in sharing how we cope with it.

This year, I’ve had an epiphany, prompted by Making Light, a blog maintained by Teresa and Patrick Nielsen Hayden. Making Light is intertwined with my memories of that day; there was a check-in post there, that day, and I remember I either posted there or to the well. Today, Making Light pretty much defiantly rejected commemoration of the terrorist attacks in favor of other anniversaries/memories:

I am sure that there will be many places to remember the dead, and to debate the lessons they can teach the living. I’m confident that the Making Light commentariat will have a lot to say on the subject.

This thread is not for that. This thread is for defiant normality. If the aim of terrorism is to produce terror, grief and anger, then let us laugh, and rejoice, and love.

And I both understand and acknowledge the value of such a sentiment.

Moreso, I say, I’m sorry, but grief, for me, is normality today. Today, I laughed at my students, and rejoiced in the fact that people read what I’ve written, but both come in utter defiance. That doesn’t necessarily mean that both are tainted, but still, I look around at where I am and what I’m doing and remember where I was and what I was doing. This year, I acknowledge it hurt, and I accept that it’s okay. In the past, I’ve felt at times like I don’t have a right to feel this way, because hey, I survived and that leaves me so much better off than so many other people, but this year I note:

I’m sorry. I’m not okay. I’m not even a little okay. I miss Manhattan more than I can express. I miss my friends and my crummy little apartment and riding the subway to work. I miss all the terrific people I worked with and all the wonderful friends I made. I miss the neon and the way the sidewalk sparkled under my feet. I miss blowing half my paycheck on bad CDs at HMV, and watching movies alone at Virgin.

But most of all, even though I may not be okay, I am grateful.

To you.

I don’t think I’ve said it lately, but thank you. Because a reader is not solely the single best thing any writer can have, but also, arguably, what makes a writer in the first place. In “Your Name on a Grain of Rice,” Roger Clyne wonders:

What good is my love song if you ain’t around to hear it?

I’m forever grateful I don’t ask that question.

Over at Lulu Book Review, one of the better POD review sites, Shannon Yarbrough invited me to do an interview about “What I Saw That Day.”

You also mention how your employer’s front desk attendants just waved you by that morning without checking your ID, but never again after that. What else has changed for you on a personal or professional level that sticks out in your mind now?

God, where to start there? I mean, what hasn’t changed, really? On a personal level, I moved back home, stayed for five years while overcoming depression, then drove cross-country to study, and now live in Denver. On a professional level, I taught and trained, then edited, and then went back to school, and then again became a professional writer.

But I think what’s more important is what I see has changed on greater levels. For example, I think we, as a country, are more naïve now than before. That might seem counterintuitive, but before that day, I think we would have laughed at a color-coded emergency-response system. I think we would have been outraged at the idea of illegal wiretapping, and I think we would have, rightly, run our collective leaders right out of office (I mean, heck, we impeached one guy for a blowjob, but not another for misleading our country into war?). I think that day was the first time we, as a nation, realized we could be hurt, that we are, in fact, mortal, and I think it scared the hell out of us, and I think we’re still recovering from it. Now, the people who attacked us are still at large, and we’ve demonstrated our utter inefficacy to fight them on a massive scale.

Many thanks to Shannon for his support and involvement in all this.

As always, you can find the book here, and all proceeds benefit the United Way NYC.

Late at night, I wonder if she ever really had feelings for me. That’s what’s been most difficult: not her leaving, but rather wondering if she was honest.

What’s most difficult is . . . did she really look at me, try to get to know me? Was she open to it? Does she really not have time, or did she look at me and realize, nah, not this one (and then there’s the nagging, well, if I’d handled my feelings better, would it have changed anything, but no, that way lay madness)?

That’s what counts, mostly.

I’d say that she was the first girl in a while I felt anything for, that she was the first girl since my ex- that I really wanted, but that’d be a lie. There were three years between my ex- and her, and those years weren’t filled with girls, no, but they were filled with misplaced emotions.

Misplaced emotions. Not like I lost anything. Just kinda stopped thinkin’ about where I was puttin’ shit.

I fell for her. Girls will only play the games you let them, will only hurt you as hard as you let them, and she crushed me and hollowed me out because I let her. I let her get inside me, and why?

Because one day I saw her smile, and one day she kissed me back, and one day I let her in.

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I write to
And about
Will be someone.
Eventually, my lady, you
Will have a
Name,
A personality,
A face.
Eventually I will know
Just who you are,
You, about whom I have
Wondered for years.
Eventually I will not
Have to settle for a
Good time.
Eventually I will
Find you,
Know you when I
See you,
Hear you,
When your soft, light
Footsteps
Finally echo from my
Dreams to my floor.
Thank God I’m
Patient.

***

One of six poems in the collection, and one of the earliest overall. I wrote it during college, which is also true of “Inspiration Point,” “This Ain’t Wonderland,” and “A New Drink.” This was, of course, at a time when I thought every line of a poem should be capitalized (I’m no longer sure, and I’d concede this one might look better without the capped lines). These and my other college poems were the ones that came closest to not making it into the collection, in fact, because I thought so much else seemed so much stronger, but one of the good things about doing it in the first place was recording those times.

I think every writer has early work that makes them cringe a little. I know I have a novel on the top shelf of the closet in my parents basement, which will, as far as I’m concerned, remain there forever (or at least until they move), a big, thick, hunk of a novel I thought it took nearly a ream of paper to tell. I’m pretty sure it’s up near 500 single-spaced pages.

Better I offer you the poems than that, I think. The poems, it’s fun to see how I’ve grown.

The novel you might just bludgeon me with were I to try to sell it to you.

As well you should.

It’s nice to know, as well as a little ironic, that a couple of you cited this and other poetry as your favorite. We are so rarely good at judging what of our work will appeal to others.

***

Like this? Remember to buy the book; it’s only available for a limited time, and all proceeds go to the United Way NYC as tribute to those we lost on September 11th, 2001.

I’m not quite sure why you actually have to be aware of this story to be able to find it, but it seems to be the case. I was told of it the other day by someone browsing the BBC news site, but on perusing it myself, I can’t find it. I checked all my major news sites, too: the Los Angeles Times and Washington Post and MSNBC.com. Heck, you’d hope one would find it through the New York Times, but no luck there, either. Just to confirm, I ran a search on it yesterday, and this is all I found:

I had to go all the way to Google, in fact, and when I did, I found an Associated Press story the associated press seems to have summarily completely ignored: apparently, whoever owns the World Trade Center proposed completely scrapping plans and deadlines for the construction of the new Freedom Tower because “nearly every project is delayed and over budget and that previous estimates are unrealistic.”

Sad, that. The first project scheduled to be completed–in time for the tenth anniversary of the attacks–was the memorial. Freedom Tower itself, along with the other buildings, weren’t expected to open themselves until 2013.

Shame, this.

Larry Silverstein is in charge of building three of the five towers (seems he’s the owner). He’s also the person to whom will be made payments of $300,000 per day for every day the construction of the towers goes beyond deadline. In fairness to him, though the article is not clearly worded, I think he’s also the one proposing scrapping the deadlines in the first place.

It puts me in mind of a paragraph from “What I Saw That Day (September 11th, 2001),” my essay (in my collection) concerning that day those years ago, and how I feel about it now:

I can’t seem to shake this feeling that it’s a bad dream. I can’t help looking at the plans and design for the new Freedom Tower and wonder why we can’t just build the World Trade Center back. Why we can’t recreate those buildings so that, one day, when we talk to our children and tell them about that day, they can look up at us and say, “What’re you talking about, Daddy? You mean those buildings? Right there? They falled down?”

There are days I miss New York, especially lately, but sometimes I wonder if I don’t miss Manhattan during the summer of 2000. It’s different when I go back, and then again, so am I.

(if you want to read my September 11th essay and haven’t yet, you can find it here.)

The big news (besides that Bush endorsed McCain) today seems that Clinton broke Obama’s winning streak. By this I might be more impressed had she won any decisively, as the media seems to be saying, but she did not; the only place she won by more than 10% was Rhode Island, and what’s 10% of Rhode Island? Like, 3 people, or something? Seriously, it’s smaller than Delaware, isn’t it? Texas was a squeaker of a primary, 51% to 48%.

The problem, though, is that McCain clinched his nom while the Dems are now still petty-bickering about who voted how when. Obama says he’s the man to beat McCain, but he’s got to get there first.

Personally, I think Obama should invite Edwards onto his ticket now, solidifying his stance. Because if Edwards were still in the race, he’d have diverted votes away from Clinton, I think, and Obama would have won all the primaries yesterday.

There are so many interesting ways this could all go, though. Clinton could lose the democratic nomination, but what if McCain invited her to be his vice president? I could see McCain doing something like that. On the off chance Clinton wins the Dem nom, though, I’m betting she’d go with Bill Richardson for her VP. But in which case, I’d love to see Obama and Edwards run an independent ticket.

They probably mightn’t get enough electoral votes to actually win election, but I’d bet they’d completely fuck up the system hard enough that nobody would know what was happening.

Anarchy rules!

No, but seriously, I really do think the division between Obama and Clinton is doing more harm than good. Not for the Democratic party, mind, because I think the Democratic party does enough harm to itself without having to seek external blame, but because the fact that the two leading candidates for nomination are a black man and a woman is being overshadowed by the woman’s constantly attacking said black man. Clinton is doing more to set feminism back several decades than Howard Stern ever managed.

And the truth of the matter is, I’ve never minded McCain. I wish he’d beaten Bush’s underhanded tactics and won in 2000, because there are few men I could see leading our country through 9/11 better than I think McCain would have.

But I do wonder who he’ll run with.