Multiple Enthusiasms

Infinite jest. Excellent fancy. Flashes of merriment.

Category: feminism

By now I’m sure we’ve all heard that the Republican campaign spent $150,000 on new clothes for Sarah Palin on her being named as McCain’s running mate. Here’s the LA Times commenting on it (link via It’s All One Thing).

I’m more surprised people are surprised by this. By Republican standards, $150,000 is an absolute bargain, considering it’s roughly half what Cindy McCain’s RNC outfit cost.

It’s become apparently newsworthy enough that the GOP is issuing statements concerning it. McCain says she needed new clothing, I guess either because she didn’t have enough, as governor of Alaska, or because everything she owned was maternity wear. They also claim all the clothes will be donated back to charity, by which I suppose they mean PUMA for Hockey Moms or somesuchlike.

To be honest, I don’t care, though I do so enjoy the fact that during the midst of an economic crisis verging on absolute collapse, John McCain can’t keep track of how many homes he earns and Sarah Palin spends very nearly more in a few weeks on clothing than I have so far earned during my entire professional career (and I’m 30. Which probably says a lot about my professional career, or sometimes lack thereof). The only thing I care about is that she’s a total hypocrite. Because here’s the Yahoo! news story in which she denies the rumors and then says that:

It’s kind of painful to be criticized for something when all the facts are not out there and are not reported.

Which reminded me a lot of this video:

From back in March when she “offered Hillary Clinton advice on how to campaign” by criticizing Clinton for a “perceived whine.”

Please may this woman disappear just as quickly as she appeared in the first place.

Now, if you’ll excuse me, I’m going to go early vote. And by ‘early vote,’ I mean cast my ballot for “that one.” And by “that one,” I mean Barack Obama.

Right now, Colorado is split right down the middle between Obama and McCain. It’s a dead heat at 44% of voters each, which is why Palin was in Englewood the other day accusing Barack Obama of “pallin’ around with terrorists,” the best evidence she has of which is the fistbump Obama once gave his wife and the fact that Obama barely knows some guy who did something when Obama was, like, 8 years old.

Desperate times call for desperate measures, and all, of course, and right now I’m not sure there’s anyone in America more desperate than the two people on the GOP ticket.

I get people who support John McCain, though, I’ll admit. I did once, too, long, long ago before he let Bush win the GOP primary back in 1999. Before then, I would have said he seemed like a good guy, and I’d like to see him come along after Bill Clinton. The world would be a much different place if we were currently ending a McCain administration instead of a Bush administration, and I’d wager, in fact, that alternate history wouldn’t have led us to such a bleak and very real present, with its economic crises, illegal espionage, and unjust wars. Back in 1999, McCain seemed like the kind of guy who would have told the world on September 12th, 2001, that we had been struck by terrorists and would respond swiftly and surely, and then, you know, responded to the right country.

But that’s not who John McCain is anymore. He’s erratic. He seems to want to believe that America can restores its international image simply by bombing more countries. He doesn’t understand the economic crisis, not in any real way; no one who would lose track of the number of houses his family owns could really grok the mortgage crisis.

So I get people who support him, I think, because they’re supporting who he used to be rather than what he’s done since and what he’s running on, now, and really, who wouldn’t like to go back to 1999? Well. Okay, I wouldn’t, but 2000-2001 would be nice, certainly. I’d dig it.

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  • Statistics.
  • Houghton-Mifflin, purveyors of the textbook of said statistics. Who decided that even though I spent nearly $150 purchasing their textbook, I could only download it once, and then only to one computer, and only then using Adobe Digital Editions. Who the hell uses Adobe Digital Editions? And seriously, I get the new Coldplay, I rip it to my computer, I can listen on any device I want, but I spend nearly ten times as much and you lock me in? It’s a statistics textbook for a business course, and that business model makes me question just how damned authoritative you actually are. Business is about relationships and transactions with your customers. I am your customer, and you totally and completely failed me.
  • PUMA supporters. Which, apparently, stands for “Party Unity My Ass.”  Have you heard of this?  All the sad supporters of Hillary who are upset she lost and decided that Obama is the antichrist, and that McCain/Palin is a good choice because Palin is, like, a chick? God, I’m so tired of everyone backhanding Obama and treating McCain/Palin like they wouldn’t be 8 more years of the same. Dear female PUMA supporters; take your heads out of your collective twats long enough to acknowledge that feminism is about more than simply voting for anyone in a skirt.

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Apparently, the selfsame self-righteous people who worked themselves all atwitter that Bill Clinton got a blowjob once (and investigated said act for, what, two years, and then impeached him for it) and basically ran poor John Edwards out of town are summoning every ounce of their moral outrage and righteous indignation now, because how dare anyone talk about Sarah Palin’s family. Most seem to miss the point that the speculation about who Trig Palin’s mother is was never about Bristol Palin but rather about Sarah; it was never so much speculation that the kid belonged to Bristol as it was that he might not belong to Sarah.

Oh, cesspool, they say! Outrageous rumormongering!

These, of course, are the same people that frothed at the mouth that Bill Clinton might have done pot, but never batted an eye that Bush had DUIs out the wazoo.

We should be looking at policy, they say.

So fine.

Let’s. Straight from the horse’s mouth.

Palin on healthcare: “Take personal responsibility for personal health and all areas.”

Palin on the environment: opposed protection for salmon, wants to sue US government to stop listing the polar bear as endangered, encourages timber, mining, and drilling.

Palin on energy: global warming not manmade. Supports off-shore drilling.

Palin on education: teach creationism alongside evolution in schools. Let parents opt out of school books they find offensive. Teach abstinence, not sexuality/reproduction. Inspired a librarian to resign after the librarian refused to help Palin ban books, including works by Heller, Huxley, King, Rowling, and Shakespeare. That’s right: Sarah Palin wanted to ban Shakespeare.

Palin on civil rights: supports preservation of definition of “marriage” as between man and women. Okay to deny benefits to homosexual couples. Oh, and let’s not forget: anti-women’s rights. “Pro-life,” except, of course, when it comes to the death penalty.

Palin on Budget: entered Wasilla with balanced budget, left the town with more than $20 million in longterm debt.

Palin on Foreign Policy and Immigration: oh, wait. No real policies recorded for that yet. Her son’s in Iraq, though, and everyone knows McCain wants bomb-bomb-bomb, bomb-bomb Iran.

(source: On The Issues)

Forget the kids: does Sarah Palin really sound to you like the type of candidate America needs? I swear it’s like McCain chose a female mini-Me who couldn’t possibly be any more ignorant concerning any other issue around. There is not a single policy for which either Palin or McCain stand that could possibly justify anyone calling either a “maverick.”

And you know, just once, I’d like Barack Obama to show up to a speech in a kilt, because it seems all the damned PUMA people want is a candidate in a skirt.

The day: Southern California just south of Santa Monica, warm and oppressive as Los Angeles so often is. I’m in my old beater of a Mazda (which has served me oh-so-well through the years) playing the rock station I think Butch Walker introduced me to, if I’m not mistaken, when I hear a song by Katy Perry. It’s obviously pretty purely pop confection, with the kind of heavy, thuddy beat that masks the fact that there’s really nothing going on and then kind of vocal enhancement that tries to conceal that the vocalist can’t actually sing.

But don’t take my word for it:

My first thought on hearing it was: “Jill Sobule called. She wants her song back.”

Which is, I think, actually charitable. Because really, it doesn’t really rip Sobule off so much as insult homosexuality and the GLBT community in general.

Here’s Jill Sobule’s “I Kissed a Girl”:

You know what I love about Jill Sobule? She looks so happy and joyful. She’s having so much fun playing her guitar she nearly falls backward in her bed, and there’s her feet not reaching the floor. I love her facial expressions, and the way she sings, like kissing a girl was, for her, a revelation. An epiphany.

“They can have their diamonds while we have our pearls.”

It’s a rather defiant statement but one without anger or resentment behind it. It’s like she gets the fact that the most powerful and influential revolutionary, and the one who will most change the world, is the one who’s smiling.

And then there’s Katy Perry.

So the video opens with her on the bed, stroking her pussy (cat). Already, it goes, arguably, a little more toward crude and tasteless than Sobule’s. And okay, I get that we can’t really exactly compare the two videos, because videos are less about the artist and the song than they are about the record companies and the marketing.

So fair play. How about that song?

The first time I heard it was driving down that sunny California street (I was actually on Romaine, a block south of Santa Monica). Quiet residential streets flooded with hard sunshine. Which I tell you because I had no visual to go with it. All I had was the song and the lyrics. Which start off mostly okay; I didn’t take issue with her lack of planning or intentions. So it was sorta spontaneous. Took her by surprise. All right. It’s not what she’s used to, she just wants to “try you on.”

Not quite the best metaphor, I don’t think. Doesn’t “try you on” objectify the recipient? You don’t “try” a person “on”; people are not blouses that are not going to fit correctly and which you have to bring to your tailor to take in the sides. People are not high heels that look great but are totally uncomfortable.

Peoples, as I learned from The Muppets Take Manhattan, is peoples.

“I kissed a girl and I liked it/the taste of cherry chapstick.” And hey, sure, I identify with that. I’ve kissed girls and it’s generally something I like, as well. Some have tasted of cherry chapstick. Or vanilla. I like kisses sans flavor, personally, but that’s a personal proclivity we’ll not discuss farther because it has little to do with the topic at hand.

“I kissed a girl just to try it.” I’ve kissed a couple girls “just to try it.” I prefer to be romantically interested in the girl, because I kinda think just kissing someone you’re not actually interested in dating is leading them on, but then again I’ve gone on first dates I wasn’t entirely certain were going to lead to second dates but still ended with a kiss. Only a couple, mind, but still.

“I hope my boyfriend don’t [sic] mind it.”

Oh, now hold the phone. You’re romantically involved with someone enough to call him your boyfriend but still kissed someone else? Infidelity much? Sorry, here’s where I take real issues. Not saying, of course, that one can’t be in a romantic relationship and kiss someone else; lots of people have open relationships, but the “rules,” so to speak, of such relationships are generally clearly delineated ahead of time, no? I mean, it’s not something that you just go to a bar and start making out with random people, unless you’ve clearly established that’s okay beforehand. Otherwise, it’s really kinda cheating, ain’t it? And sure, I know lots of guys wouldn’t mind it if their girlfriends started making out with other girls, but the reason there, of course, is the visions of threesomes dancing like sugarplums in their heads.

Well, mostly, anyway. Probably. My point is, she kissed a girl without first discussing it with her boyfriend.

And then the next stanza:

“No I don’t even know your name
It doesn’t matter
You’re my experimental game
Just human nature.”

So on one hand: I agree about homosexuality. I don’t believe it’s a lifestyle choice, and I think anyone who does is bisexual (it seems to me that anyone who thinks gay people made a choice about which gender to be attracted to probably, at some point, made that choice themselves. Stands to reason, I think), which means that yes, I agree it’s human nature.

What I don’t agree with is “experimental.” I think there’s a Bill Maher or Chris Rock joke that goes something along the lines of “experiment my ass. Unless you’re wearing a lab coat and goggles, it’s not an experiment. An experiment? Really? So what was your hypothesis, Heisenberg?” To me, again, it goes back to objectification and just trying a person on.

I mean, again, it doesn’t have to be so, but only with the consent of both parties. And given that Katy Perry doesn’t even know the name of the girl she kissed, how can she know she has her consent to do so? The song states there’s alcohol involved; what if this poor girl Katy Perry kissed and whose name she never knew starts to struggle with depression and anxiety due to the questions about her sexuality kissing Perry raises?

“It’s not what good girls do
Not how they should behave.”

Oh, really? Kissing other girls is not what “good girls” do? So all lesbians are, by opposition, bad girls? Good girls shouldn’t be lesbians?

I tell you, all the fucking ruckus GLAAD raises over Eminem, where are they now? I Googled Katy Perry and GLAAD and got pretty much nill, except a pointer to this MSNBC story that notes the media is giving her homophobic music a free pass.

Which, in addition, led me to her other music video for “Ur so Gay”:

1) she’s not talking about gay; she’s talking about emo.

2) she opens by wishing someone would accidentally kill themselves by suffocating on their H&M scarf while masturbating (to Mozart? zuh?).

3) Zooey Deschanel called. She wants her look back, because, like with Jill Sobule, you stole it and don’t even do it right.

4) It sounds like she’s just bitter because emo dude with whom she fell in love and who later dumped her is prettier than she is, thinner than she is, wears make-up better than she does, and dresses better than she does.

And the only reason I link to that video is so you know I’m not making any of that up.

(well. Except for the prettier thing and all that, because obviously it’s just dolls in the video, so I’m just assuming that based on her looks/style)

And look, the funny thing is that I must confess I’m kinda completely a dude when it comes to lesbians (ZOMGLEZBIENSWOOTFTWBBQ!!!!111!). Like Charlie Sheen in Being John Malkovich: “Hot lesbian witches? That’s fucking genius!” And even though Perry never actually kisses a girl in her video, there’s a sequence where lingerie models have a pillowfight, and we all know what happens when lingerie models pillowfight.

What, no? But I thought—

Man, next thing you’re going to tell me is there’s no Easter bunny!

No, but in all seriousness, one of the major objections raised to Kevin Smith’s Chasing Amy was that it implied that all lesbians really needed was a good, hard dickin’ to “cure them of their ways,” so to speak, and I think Perry perpetuates this somehow. Because the way I read the song, she’s doing it for attention and basically because she’s bored, as an experiment. And (and I can’t stress this enough) she already has a boyfriend.

So really, homosexuality is just confusion and experimentation and boredom, because it’s not what good people do, not the way good people behave. (/sarcasm)

I mean, can you imagine if a guy sang a song like this? Can you imagine if Justin Timberlake came out with a song called “Tickle Kiss” about making out with a guy who hadn’t shaved for a week? Nevermind that it’s all the news channels would talk about for a month while whatever evangelical preacher who cared lamented that it was a sign of the moral degradation of society and a signal that the end is NIGH!

But is it okay because it’s a chic–I’m sorry–girl? Am I making too much of girls making out, or do you take some umbrage, too? Why is what’s good for the goose not good for the gander?

I hadn’t planned to blog today, but earlier today, Chartroose pinged my “Batman Noir” post to tangent from as she wrote about Christian Bale and American Psycho, and now, in the truest spirit of Internet meta, I ping back to her in response, because I started to write a comment I realized might as well have been a blog on its own.

To sum up, while she was not a big fan of either the book or the movie, Chartroose seems to appreciate the book for what it is: a non-comedic satire. She mentions the outcry that occurred when the book was first published, then her own reaction to it:

I read until the wee hours of the morning and finished it the next evening. I decided the novel was total trash and stuck in my bookcase, thinking I would probably end up throwing it away later on. Disposal of the novel never happened though, in fact, over the next several days I found myself pulling it off the shelf and rereading entire passages just to make sure that I was recalling them correctly. I had American Psycho on the brain, and it was not an enjoyable experience. Even though it was creeping me out, I just couldn’t get it out of my head. It was the most disturbing book I had ever read.

She goes on to make some extraordinarily cogent points re: sociopathy and . . . oh, hell. Did you read it? You totally should. It’s totally worth it. In fact, here’s that link again, because otherwise I’m going to have to quote her penultimate paragraph, anyway.

Okay. So.

I can’t say that I loved American Psycho; like Aronofsky’s Requiem for a Dream, it’s not an experience you can really love–it’s bleak and disturbing and kind of even hurts as you read it, so it’s not really something to love.

But good?

Yes, I think so.

I never heard the media outcry over the novel; I was a sophomore in college in 1997 by the time a buddy of mine read it and recommended it to me. And perhaps that’s very crucial; sophomore is Latin for “fool,” or thereabouts, if I’m not mistaken, and where I was in life at that time might have been instrumental in my reading of Ellis’ novel. To wit: back then, I was struggling with my identity. I’d just left my bucolic South Jersey hometown for Jersey City to attend a small Jesuit college that was, ultimately, a seminal experience in my life even though it wasn’t exactly the prototypical college experience. When most of my friends at other institutions were getting their bang on every bit as much as they were getting their book on, I had buried my head in credits and writing (back then I had just completed the first draft of my first novel, which clocked in at nearly half a million words, not one of which was actually really worth anything). I was struggling with identity to the point that I was even questioning my own name; my given name is William, and every man I know with the same name had become “Bill” by high school, and so I did, too. Until well into college, when I just wasn’t sure what I wanted people to call me anymore.

And finally, I was a nearly twenty-year-old dude, which meant I felt like society had certain expectations of me that I was meant to fulfill. Except I had absolutely no idea how to actually be a guy, and so I sought advice from the only resource readily available: Men’s Health. Not to mention Esquire and GQ. Every man depicted in the pages of those magazines seemed to be the ur-man, not just the uber-man but in fact the sort of prototype on whom the entire idea of masculinity is based. Washboard abs, Colgate teeth, well groomed hair, chiseled biceps, perfect jeans, tailored suit . . . you get the idea.

The perfect ideal of masculinity.

That was the mindset I had when I came to Bret Easton Ellis’ American Psycho, and for that reason, it was the perfect book at the perfect time in my life. Not only did I feel like I got it, and what he was trying to do, but I felt too as though he had captured precisely the perfectly incredible absurdity of pretty much everything I was experiencing at the time. One device Ellis makes frequent use of in the novel is the extraordinary attention to detail the protagonist, Patrick Bateman, pays to the wardrobe and effects of those around him; anyone who’s ever read Esquire has encountered precisely the same thing. The ten best face washes. The thirteen best new colognes of the season. The four most realistic-looking fake tans.

And no woman can tell me such is relegated to the pages of men’s magazines. Cosmo does it constantly–this season’s hottest shades of lipstick! Next season’s hippest designer!

When I read American Psycho, I read it as a pretty much brilliant critique of precisely that aspect of our culture. Chartroose mentions:

American Psycho is trying to tell us that capitalism is as violent and merciless as Patrick Bateman, and Bateman’s disregard for women as anything but body parts to be abused and discarded is a mirror reflection of modern society’s objectification of women.

But I think it’s more than that; it’s not modern society’s objectification of women but rather our culture’s collective objectification of ourselves. Bateman doesn’t merely objectify women; he objectifies everyone, which is why every new character is described not in terms of a quality or a smile or a trait but rather in terms of the suit he wears or, famously, the business card he carries or, even more famously, the music he likes. When Bateman enjoys something, like Phil Collins’ “Su-su-sudio,” he does so not because he actually likes the music but rather because it is something everyone else seems to enjoy. He uses a Sony Walkman and wears headphones quite often, and when he listens to Whitney Houston, it’s not because he wants to dance with somebody but rather because he wants people to think he wants to. If Bateman objectifies everyone, it is because he feels himself an object; his lack of empathy comes not from his detachment from other people’s feelings but rather from the fact that he has none of his own. His clothes, his beauty regimen, his workouts; he’s not improving himself so much as improving the way the world sees him, and trying all the time to be a more beautiful object to those who view him.

I think it’s a rather brilliant critique, obviously, and I think it ultimately springs from the same sorts of disillusionment as inspired Chuck Palahniuk’s Fight Club:

Man, I see in fight club the strongest and smartest men who’ve ever lived. I see all this potential, and I see squandering. God damn it, an entire generation pumping gas, waiting tables; slaves with white collars. Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don’t need. We’re the middle children of history, man. No purpose or place. We have no Great War. No Great Depression. Our Great War’s a spiritual war… our Great Depression is our lives. We’ve all been raised on television to believe that one day we’d all be millionaires, and movie gods, and rock stars. But we won’t. And we’re slowly learning that fact. And we’re very, very pissed off.

Patrick Bateman is the reason Fight Club exists; he is a rockstar, basically, and he doesn’t chase cars and clothes because he already owns them. He has achieved everything society has told him he should want but still feels he has no purpose or place. He kills people, but mostly he understands that “On a long-enough timeline, the survival rate drops to zero” for everyone.

“Shut up! Our fathers were our models for God. If our fathers bailed, what does that tell you about God?”
“No, no, I… don’t…”
“Listen to me! You have to consider the possibility that God does not like you. He never wanted you. In all probability, he hates you. This is not the worst thing that can happen.”

Patrick Bateman has achieved, as both a man and a person, pretty much everything society expects of him, or is on his way to. Society has convinced him that, if he does so, he will be happy, but that happiness . . .

Where is it?

Sticking feathers up your butt does not make you a chicken.

Precisely.

Willy Wonka promised that the man who got everything he ever wanted lived happily ever after, but Jagger got it arguably more right; happiness isn’t getting what you want but rather in getting what you need and understanding why you needed it in the first place.

Via Nick Mamatas, whom I’ve mentioned a few times this week in discussing Amazon and POD, I found this pamphlet on the military’s “Don’t Ask, Don’t Tell” policy (warning: opens a .pdf in a new tab), featuring multiple soldiers talking about their experiences being gay in the military.

I think it’s well worth reading. It’s affiliated with the Servicemember’s Legal Defense Network (SLDN), which apparently exists, at least partially, to “Lift the Ban.”

When I was in college, I took a sociology class for which I had to maintain a journal reflecting on the class’ readings, many of which had to do with equality; my thesis, for my journal, ultimately became that I didn’t care about equality–I simply wanted the best qualified, most able person performing every job. The “Don’t Ask, Don’t Tell” policy had just become a hot topic back then, and my position during the class was simply that I didn’t care about anything besides function. Male, female, gay, straight, black, white, whatever–my ideal is that the people best able to perform any particular job do so.

I still feel that way. I think it’s why I’m against the Orange prize, and also, more important, why I support Barack Obama for the presidency–not because he’s black, or because it would break the status quo, but rather because, quite simply, I think he is far and away the most able candidate to do the job. It has little to do with who he is or whom he loves and everything to do with what I believe he can do.